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Early 20th Century Art Deco Bronze Sculpture entitled "Whip Girl" by Bruno Zach

$12,316.06
£9,000
€10,594.07
CA$16,901.16
A$18,924.79
CHF 9,874.01
MX$230,584.68
NOK 125,294.15
SEK 119,121.38
DKK 79,077.75
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About the Item

A fabulous Art Deco bronze figure of a beautiful woman wearing a loose fitted figure hugging dress and high heels holding a riding whip, with excellent colour and very fine hand finished detail, signed Bruno Zach ADDITIONAL INFORMATION Height: 45 cm Condition: Very fine Original Condition with slight signs of wear Circa: 1925 Materials: Cold Painted Bronze Book Ref: Art Deco Sculpture by Victor Arwas Page no. 224 SKU: 261 ABOUT Zach Whip Girl Zach Whip Girl – Bruno Zach (Austrian, 1891 – 1945) – Bruno Zach was a prolific creator of tall, athletic, independent women in bronze and ivory. He depicted both the healthy outdoor pursuits, and also the dream mistresses of the demi monde of Berlin, Paris and Vienna between the wars. His bronze is occasionally patinated, most often cold painted. His use of ivory is spare and always well carved. His work was edited by several firms, including Argentor-Werke of Vienna the Broma Companie, S Altmann & Co, and Bergmann. The Zeitgeist of the Art Deco Era in Berlin Zach Riding Whip – There is an obvious influence of eroticism and sensuality on Bruno Zach’s sculptures such as the Zach Riding Whip figure, there is no question that this was primarily affected by the night life of Berlin in the 1920’s. After World War I cabarets became extremely popular across Europe – and nowhere were they more popular than Germany. The Weimar government’s lifting of censorship saw German cabarets transform and flourish. Entertainment in the cabaret of Berlin was soon dominated by two themes: sex and politics. Stories, jokes, songs and dancing were laced with sexual innuendo. As the 1920s progressed this gave way to open displays of nudity, to the point where most German cabarets had at least some topless dancers. Prostitution was widely accepted and it became ‘de rigeur’ to use their services, whether one was male or female, and the Zach Riding Crop figure with its alluring charm had an undercurrent of lascivious intent. This was the background in which Bruno Zach found himself when he moved to Berlin from Austria in 1920 and he immersed himself into the decadent night life with gusto. It is understood that he used many prostitutes as models for his sculptures and fell in love with a particular young lady who took great pleasure in refusing his marriage proposals. When one considers Bruno Zach’s work with an understanding of the influences that permeated his life at the time, the overt sexuality of his subject matter becomes more acceptable and indeed more interesting.
  • Creator:
    Bruno Zach (Artist)
  • Dimensions:
    Height: 17.72 in (45 cm)Width: 0 in (0.01 mm)Depth: 0 in (0.01 mm)
  • Style:
    Art Deco (In the Style Of)
  • Materials and Techniques:
    Bronze,Onyx,Cast,Patinated
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1925
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    London, GB
  • Reference Number:
    Seller: 2611stDibs: LU3216336107512

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Early 20th Century Cold-Painted Bronze Entitled "Veronica" by Josef Lorenzl
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A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. 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His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. 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