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Early 20th Century Cold-Painted Bronze Sculpture "Arab Girl" by Franz Bergman
$1,847.41
£1,350
€1,589.11
CA$2,535.17
A$2,838.72
CHF 1,481.10
MX$34,587.70
NOK 18,794.12
SEK 17,868.21
DKK 11,861.66
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About the Item
An excellent early 20th Century cold-painted Austrian bronze figure of a young Arab girl wearing a red shawl around her waist and eyecatching golding jewellery holding an ewer with very fine hand chased surface detail and and good naturalistic colour, signed with the Bergman 'B' in an amphora vase and inscribed Geschutzt
ADDITIONAL INFORMATION
Height: 10 cm
Width: 3 cm
Depth: 4 cm
Condition: Excellent Original Condition
Circa: 1900
Materials: Cold Painted Bronze
Book Ref Antique Vienna Bronzes by Joseph Zobel
SKU: 9133
ABOUT
Vienna Bronze Arab Girl
The tradition of Vienna Bronze can be traced to the middle of the 19th century. Around 50 manufacturers resided in Vienna at the turn of the century, as small Austrian bronze sculpture with its fine detail enjoyed great popularity.
At this time numerous sculptors and modellers were active in selling their work and models to bronze manufacturers, who then reproduced these. This means that a stamp (hallmark) alone shows who the manufacturer of a Bronze is, but not who the creator was. The artists remained largely unknown. Of course there are several artists whose works are also well-known, such as Lorenzl, Zach, etc. But even they did not work on every piece themselves, only the original model. One had chasers for the subsequent reproduction. Thus there are also differences in price for identical models, depending on the quality of the work.
The quality of the final piece depended on how gifted the chaser was and how perfectly he carried out his work. The painting of the final finish too was, and still is, an important factor.
Animal figures can occasionally be found for a few hundred pounds, though sculptures in pristine condition and larger figures can be worth several thousand pounds. Value is affected by condition. The cold painted decoration is relatively easy to damage and worn Enamel will reduce value considerably.
- Creator:Franz Bergmann (Artist)
- Dimensions:Height: 3.94 in (10 cm)Width: 1.19 in (3 cm)Depth: 1.58 in (4 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1900
- Condition:Wear consistent with age and use.
- Seller Location:London, GB
- Reference Number:Seller: 91331stDibs: LU3216340225332
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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ADDITIONAL INFORMATION
Height: 21 cm
Width: 15 cm
Depth: 7 cm
Condition: Excellent Original Condition
Circa: 1925
Materials: Bronze and Onyx
Book Ref Art Deco and Other Figures by Bryan Catley
Page No: 214
SKU: 8698
ABOUT
Lorenzl Veronica
Josef Lorenzl, Austrian 1892 ~ 1950
Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs.
Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014).
Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930
Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends.
Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size.
A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920.
Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013).
From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design.
One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person.
Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses.
He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...
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