Liberty, a Patinated Lead Figurative Sculpture, France, c1900

Iconic British design by L Wyburd for Liberty & Co with a ‘D’ shaped seat on tripod spayed leg supports joined by a triangular stretcher. Beautifully made and designed object, solid ...

Inspired by a narrow gorge called the ‘Siq’ which is a particular way to approach Petra from the East, the winding path ends dramatically at the foot of Al-Khazneh. The base compr...

This lead sculpture bears the face of one of the most recognizable faces in traditional art. The cherub, or putto has been represented in a wide variety of themes ranging from mythology to renaissance art. Enjoying a bountiful harvest...

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...