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Ming Figurine in Terracotta, Attendant to the Tomb

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Terracotta Sculpture by Arturo Pannunzio, Sleeping Lady, Italy, 1940
By Arturo Pannunzio
Located in Torino, IT
Terracotta sculpture by Arturo Pannunzio (1891-1953) (1891-1953), Sleeping lady Italy, 1940s Origin Italy Period 40s Author Arturo Pannun...
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Vintage 1940s Italian Figurative Sculptures

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Scultura in vetro soffiato "Cigno Nero", design di Livio SEGUSO. Murano, Anni 80
By Seguso Vetri d'Arte, Livio Seguso
Located in Torino, IT
Scultura in vetro soffiato Cigno Nero design di Livio SEGUSO per SEGUSO Arte Vetro. ORIGINE Murano PERIODO Anni 80 DESIGNER Livio SEGUSO MARCA SEGUSO Arte Vetro MODELLO Uccello,...
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C.I.A. Manna ceramic sculpture. Lying female nude. Turin, 1930s
By C.I.A. Manna
Located in Torino, IT
Ceramic sculpture C.I.A. Manna Lying female nude. ORIGIN Turin, Italy PERIOD 1930s AUTHOR The ceramist Mrs. Manna, in the late 1920s, was hired as a plasticist and decorator, at t...
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Vintage 1930s Italian Figurative Sculptures

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LENCI porcelain sculpture by Mario MESINI. Daisy. Turin, 1930s
By Lenci
Located in Torino, IT
Porcelain Sculpture LENCI by Mario MESINI. Margaret. ORIGIN Turin PERIOD 1930s AUTHOR Mario MESINI MARK LENCI Turin MODEL Daisy MATERIALS Porcelain DIMENSIONS Height: 13cm Wid...
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Vintage 1930s Italian Figurative Sculptures

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WAGNER & APEL collection of four porcelain and cork stopper-versions
Located in Torino, IT
Collection of four cap-verses porcelain and cork WAGNER & APEL. ORIGIN Germany PERIOD Novecento MARK WAGNER & APEL MATERIALS Porcelain and cork DIMENSIONS Single cap: Height: 9 ...
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20th Century German Figurative Sculptures

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Porcelain sculpture group "Cupid punished by Venus." Germany, Early 1900s
Located in Torino, IT
Sculptural group porcelain Cupid punished from Venus. ORIGIN Meissen PERIOD Early twentieth century MATERIALS Molded porcelain and hand-painted DIMENSIONS Height: 26.5cm Width- 2...
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6 Elegant Ming Dynasty Court Attendants in Glazed Terracotta, China 1368-1644 AD
Located in San Pedro Garza Garcia, Nuevo Leon
A fine set of a six court attendants as in the Forbidden City of Beijing, elegantly dressed in a Green & Red Daopao – a traditional men’s formal attire from the Ming Dynasty dated 1368-1643 A.D. – with glazed robes and Red Pigment remains in their hat and belts. They stand in an honorary posture atop a red plinth, some with orifices in their hands, where spirit objects were placed to comfort or satisfy the deceased. The heads are detachable, as often seen on the larger figures from this period. They are accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - a leading authority specialized in Far East Archaeology from the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...
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Antique 15th Century and Earlier Chinese Ming Antiquities

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Magnificent Court Attendants in Terracotta - Ming Dynasty, China 1368-1644 AD TL
Located in San Pedro Garza Garcia, Nuevo Leon
A magnificent pair of male and female courtiers from the Ming Dynasty (1368-1644 CE) in excellent condition. They are wearing traditional Daopao robes in green and black garments wit...
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Two Figures of Attendants, Ming Period(1368-1644)
Located in seoul, KR
Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(It has soil on it, which is presumed to be evidence of excavation) Provenance : Acquired in late 1990s from Hongkong Reference : 1) Indianapolis Museum of Art - Dinastia ming, figure maschili, 1368-1644 (Type : Closely related) 2) V&A Museum - Accession number FE.295:1, 2-2005 (Type : Closely related) 3) Sotheby's 01 May 2007 - The Collection Of Paul Otto Taubert & Jewellery And Decorative Arts - Lot 233 (Price range : 5,000 - 7,000 AUD / Type : Closely related) 4) Asian Art Museum, San Francisco - Object number B60P1631 - Standing Man Tomb Figure * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...
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Han Dynasty, Antique Chinese Pottery Attendant Figurine
Located in Sampantawong, TH
Chinese pottery attendant figurine. Age: China, Han Dynasty, 206 B.C. - A.D. 220 Size: Height 22 C.M. / Width 12 C.M. Condition: Well-preserved old burial condition overall. 100% s...
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Two Glazed Court Attendants, Ming Period (1368-1644)
Located in seoul, KR
Two finely hollow-moulded terracotta statuettes from ancient China, dating to the Ming Dynasty. The figure is depicted standing, dressed in long, flowing robes, painted in vibrant blue or green and deep amber yellow. The hair is styled into an elaborate top-knot, painted in a muted brown. Areas left unpainted would have been 'cold-painted' after firing, contrasting with the vivid fired blue or green and amber pigments. The figure is shown with the left hand raised to the chest, as if holding something, possibly an offering or incense. Figurines like this were placed in tombs to guide the deceased on their journey to the afterlife. The Ming Dynasty was known for its exceptional artistic achievements, partly due to its economic prosperity. Since the Han Dynasty, it was customary to bury terracotta miniatures of everyday objects with the deceased. These items, known as mingqi, or "spirit utensils" and "vessels for ghosts," were believed to help and assist the deceased in the afterlife. Mingqi were crafted in the form of cooking utensils, miniature replicas of houses, temples, furniture, and other items. Anthropomorphic and zoomorphic terracotta figures were also popular, designed to assist, entertain, and recreate the living world for the deceased. Period: Ming Dynasty Medium: Green/blue-glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : 1) Ancient & Oriental - Terracotta Tomb Attendants (Type : Highly related) 2) La Maison De La Petite Sara S.r.l. - Archaeology section - A Black glazed Terracotta Statuette, Servant with Trumpet, Ming Dynasty (Price realised : 700 GBP / Type : Highly related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...
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Four Green Glazed Pottery Attendant Figures, Ming Dynasty(1368-1644)
Located in seoul, KR
The first figure wears a short cap and takes a posture as if carrying something on the shoulder, possibly symbolizing a servant or a messenger. The second figure wears a tall hat and...
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