Only Hope Remains II, a monochrome glass standing sculpture by Cathryn Shilling

'Concordance II' is a unique sculpture by the British artist, Cathryn Shilling, created from kiln-formed fused glass with Nickel Chromium. Appearing as if woven from canes of shimme...

'Diaphanous' is a unique sculpture by the British artist, Cathryn Shilling, created from kiln-formed fused glass with an iridescent finish. An ambitious sculptural work with the app...

'Concordance I' is a unique sculpture by the British artist, Cathryn Shilling, created from kiln-formed fused glass with Nickel Chromium. Appearing as if woven from canes of shimmer...

Odysseus, is a unique black glass sculpture by the British artist Cathryn Shilling. A handblown and free-form shaped glass sculpture with 'glass fabric' decoration worked onto the glass body while hot. A spectacular fusion of blown and kiln formed glass techniques incorporating Cathryn Shilling's signature woven glass. With her Cloaked Collection, Shilling takes mythical tragic figures as her inspiration. This piece is based on Odysseus. Cathryn Shilling began her arts career as a graphic designer but went on to study glass after moving to Connecticut with her family. On returning to the UK she studied kiln-formed glass at Kensington and Chelsea College and blown glass with Peter Layton at the London Glassblowing Workshop. She set up studio in London in 2007 from where she has gone on to create a huge body and variety of work. Shilling experiments with colour and technique to produce beautiful one off sculptures. Her innovative pieces push the glass beyond our usual comfort zones. With some sculptures, glass rods are woven together like fabric, mimicking the flexibility and movement of cloth. The apparent frailty of the glass is balanced by the strong dynamic forms, differing levels of light picking out layers of colour. With other works, bubbles are trapped in swathes of watery hues. Her colour palette and choice of forms are very much informed by the various natural states in which water is found: icebergs, waterfalls and whirlpools for example. Shilling’s work has been collected and widely exhibited internationally including: Ireland Glass Biennale 2019 at Dublin Castle The 3rd Session of China·Hejian Craft Glass Design & Creation Exhibition and Competition, Ming Shangde Glass Museum, Cangzhou City, Hebei Province, China 2019 TACTILE at Glazenhuis, Lommel, Belgium New Aquisitions 2017 at Glasmuseum Lette, Coesfield, Germany Peter Bremers...

A standing polished plaster figure. Great conversation piece.

Impressive Mid-20th Century clear and frosted glass figural study of an African elephant with its trunk raised. The surface with fine detail, signed Lalique France Additional information Height: 15 cm Condition: Excellent Condition circa: 1970 Materials: Clear & Frosted Glass About Lalique Glass René Lalique (1860-1945) began his career as a jewellery apprentice at the age of 16, and by 1881 he was a freelance designer for many of the best-known Parisian jewellers. In 1885, he opened his own workshop on Place Gaillon in Paris, the former workshop of Jules Destape. In 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the "RL" mark the following year. In 1890, he opened a shop in the Opera District of Paris. Within a decade, Lalique was amongst the best-known Parisian jewellers. In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery, but glass works as well. It was close to the shop of renowned perfumer François Coty; in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his country villa in 1902, and continued there until at least 1912. The first Lalique glassworks opened in 1909 in a rented facility in Combs-la-Ville, which Lalique later purchased in 1913. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop. During the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new production facility in Wingen-sur-Moder, which opened in 1921. From 1925-1931, Lalique produced 29 models of hood ornaments; a mermaid statuette first produced in 1920 was also later sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the world's most renowned glassmakers. René Lalique died in 1945. His son Marc Lalique took over the business, operating initially as "M.Lalique" and later as "Cristal Lalique...

Tephra I & Tephra II by Perrin & Perrin, 2017 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For o...

Metabolism free-standing sculpture by Daniel Schneiger Dimensions: D 38 x W 41 x H 43 cm Materials: Wood, foam, resin and paint Custom sizes available. Custom finishes available. ...