Pair of Restoration Period Gilt-Bronze Allegorical Groups. French, circa 1830

A Pair of Restoration Period Gilt and Patinated Bronze Four-Light Figural Candelabra. French Circa 1830.

A highly important restoration period maple and Amaranth veneered console table with patinated bronze female term supports, made for King Louis-Philippe by Jean-Christophe Fischer. French, circa 1830. This rare console table has a rectangular marble top above a frieze with two drawers raised on finely cast patinated bronze female term supports, a mirrored back and a plinth base. The table is stamped ‘Fischer à Paris’ and with ‘LPN’ beneath a crown for Louis-Philippe Neuilly, and the number 13687. The locks stamped 'Huby Fils Serrurier a Paris'. This console table was formerly owned by Louis-Philippe, King of France, at the Château de Neuilly. Louis-Philippe, Duc d'Orléans, was born October 6, 1773 in Paris, the eldest son of Louis-Philippe-Joseph, Duc de Chartres. The Château de Neuilly was built for Marc-Pierre de Voyer d'Argenson. It was purchased in 1818 by Louis Philippe, who was then proclaimed King of the French on April 9, 1830. The château was looted and destroyed during the 1848 revolution. After his abdication, Louis-Philippe spent the last two years of his life in England. Jean-Christophe Fischer (1779-1854) was an important French ébéniste and bronzier, specialising in making furniture, mirrors and chairs. He had an established business in Paris from 1820 until his death in 1854. During this time he produced furniture for the King Louis Philippe, for his Château de Neuilly residency, amongst other important commissions. From 1820 to 1827 he was collaborating with Geoffrey Kopp under the name of Fisher and Kopp, he was then joined in 1839 by his son, who took over the company in 1848. In 1837 he participated in the Exposition de l'Industrie Francaise, where he exhibited a cylinder bureau, a table and a pair of consoles, winning a silver medal for his work. According to the Exhibition's report: "ses meubles se distinguaient autant par la perfection du travail que par l'élégance des formes; ils étaient en palissandre relevée seulement par des baguettes dorées ou en bois blanc. Un bureau a cylindre, une table de travail et deux consoles, nous ont paru les plus remarquables de l'Exposition." In 1844, he also participated in the Exposition de l'Industrie Francaise where he received a Gold Medal for his work with ebony and bronze. Exhibitions: Museum of Decorative Arts, Masterpieces of the great cabinetmakers, n.51 a desk with filing cabinet...

A Fine Pair of Patinated Bronze Allegorical Busts of Autumn and Summer By Pierre-Louis Détrier. Finely modelled and cast, the busts depict young maidens allegorical of Summer and Au...

A fine Regency period gilt bronze and cut-crystal frame chandelier. English, circa 1830. This fine chandelier has a foliate corona hung with lancet-shaped drops above strings ...

Each child seated on an oval tasseled and draped plinth in the shape of a stool, one reading a book, the other thinking, symbolizing knowledge and philosophy.

This lovely little lamp depicting a gilt bronze bust of a maiden looking into a stone room with bars certainly is an allegorical tale. Her distinct rich free flowing hair commands your attention. The room does light...

This is a very special piece indeed! c1829's French Restoration Period Automaton in Gilt & Patinated Bronze. Moving water flow from main structure into a Baccarat Crystal Basin. So t...

Pair of Italian bronze figural cachepots with decorative grapevines, fruit trees, floral swags and gadrooning motif, Early 19th Century. Cachepot...