Skip to main content

16th Century Figurative Sculptures

to
18
109
1,146
3,733
8,965
2,716
2,247
3,143
2,001
299
151
556
546
262
426
568
671
365
257
4
1
70
23
14
13
12
74
33
71
27
23
15
14
Height
to
Width
to
109
109
109
1
Period: 16th Century
French 16th/ 17th Century Weathered Oak Renaissance Angel Fragment
Located in Buisson, FR
Beautiful weathered oak winged angel head Renaissance ornament. France, 16/ 17th century. Weathered Measurements include the wooden pedestal.
Category

French Renaissance Antique 16th Century Figurative Sculptures

Materials

Oak

16th Century Italian Renaissance Carving of a Male Saint
Located in Stamford, CT
16th century Italian carved and polychromed figure of a male saint or prophet with a wonderful presence. Shown holding an open book in his right hand with flames at his feet, mid-16t...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood

Rare and important painted bronze Crucifix after a model by Michelangelo
By Michelangelo Buonarroti
Located in Leesburg, VA
A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...
Category

Renaissance Antique 16th Century Figurative Sculptures

Materials

Bronze

Wood Low-Relief Depicting a Werewolf and Saint George
Located in Saint-Ouen, FR
Exceptional polychrome wood low-relief depicting a werewolf and saint george after a woodcut by lucas cranach (“DER WERWOLF” 1512) Provenance : collection Brimo de Laroussihle colle...
Category

German Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood

16th Century Stone Classical Roman Style Torso
Located in Vosselaar, BE
A wonderful 16th century draped female torso in classical style. Made in France under Italian Renaissance influence this female torso is finely sculpted with great detail to the stol...
Category

French Renaissance Antique 16th Century Figurative Sculptures

Materials

Sandstone

Northern Thai Lan Na Bronze Buddha Seated in Meditation, 15th-16th Century
Located in Austin, TX
A lovely northern Thai cast bronze seated meditating Buddha statue with shell inlaid eyes, style of Wat Chedi Luang, Lan Na Kingdom, region of Chiang Mai, 15th-16th century.  The statue of the historical Buddha, Shakyamuni, is portrayed in dhyanasana, seated upon a double lotus pedestal atop a raised platform. His legs in virasana, the half lotus position, hands in dhyana mudra, the gesture of meditation. The Buddha's face is youthful and pleasant, reminiscent of faces of contemporaneous Sukhothai Buddha...
Category

Thai Antique 16th Century Figurative Sculptures

Materials

Bronze

Paolo di Giovanni Sogliani - Processional Cross Florence, around 1515
Located in Bruxelles, BE
Paolo di Giovanni Sogliani (Florence 1455-1522) Processional Cross Florence, around 1515 Enameled, chiseled, engraved, stippled, and gilded copper; wooden core ; Inscription: "OPA...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Copper, Enamel

Carved Wood Depicting the Resurrection of Christ
Located in Saint-Ouen, FR
Carved wood depicting the resurrection of Christ ORIGIN : SOUTHERN NETHERLANDS, ANTWERP PERIOD : EARLY 16th CENTURY Height : 67.5 cm Len...
Category

Antique 16th Century Figurative Sculptures

Materials

Oak

Japanese Giltwood Medicine Buddha, Yakushi Nyorai, Muromachi Period 16th Century
Located in Austin, TX
A striking Japanese late Muromachi Period (1333-1573) lacquered and giltwood figure of Yakushi Nyorai, the Medicine Buddha, seated upon an elaborate car...
Category

Japanese Edo Antique 16th Century Figurative Sculptures

Materials

Rock Crystal

Rare 16th-Century French Polychrome Wooden Pietà Sculpture
Located in Madrid, ES
This rare and extraordinary 16th-century French sculpture depicts the iconic Pietà, showcasing exceptional craftsmanship and emotional depth. Finely carved from wood and adorned with...
Category

Antique 16th Century Figurative Sculptures

Materials

Fruitwood

A Very Large Virgin and Child ( 49 inches) , Champagne, circa 1500
Located in PARIS, FR
A Very Large Virgin and Child in walnut wood, carved in the round, trampling on Eve biting into the apple. The theme of the Virgin and Child is the most represented in all Christian...
Category

French Renaissance Antique 16th Century Figurative Sculptures

Materials

Walnut

Oak Sculpture of Saint Anne, 16th Century.
Located in Saint-Ouen, FR
Oak sculpture of Saint Anne, 16th century. Large oak sculpture of Saint Anne. Work from the Upper Rhine, Basel region. First third of the 16th century. An arm is missing from the i...
Category

French Renaissance Antique 16th Century Figurative Sculptures

Materials

Oak

Ming Dynasty Sancai Glazed Dignitary Tomb Figures
Located in Dallas, TX
A Pair of Chinese Enameled Sancai Glazed Pottery Attendant Figures Representing Dignitaries. Ming Dynasty Period. Circa 1600AD Dimensions; 23 x 5.5 x 5.25 inches (58.4 x 13.7 x 13.3 ...
Category

Chinese Ming Antique 16th Century Figurative Sculptures

Materials

Pottery

A 16th century carved marble sculpture of poseidon
Located in London, GB
This fine and imposing sculpture is an excellent example of 16th century Italian craftsmanship. The figure is stood on a raised, shaped rectangular base with a carved "dolphin" at th...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Marble

16th Century Southern Germany Carved Wood Bracket Depicting a Mermaid
Located in Saint-Ouen, FR
In Medieval Europe and even more during the early 16th century fantastic beasts could be found in Bestiaries, a literary genre close to poetry. A bestiary used the characteristics of...
Category

German Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood

An Unusual and Rare English ‘Memento Mori’ Carved Shrine with Two Human Skulls
Located in London, GB
An Unusual and Rare English ‘Memento Mori’ Carved Shrine with Two Human Skulls to the underside, a carved ‘Dragonfly’ Marble 16th / 17th Century England Size: 36cm high, 28cm w...
Category

English Antique 16th Century Figurative Sculptures

Materials

Marble

Christ Crucified in Silver 16th Century Italian School
Located in Madrid, ES
Christ crucified in silver 16th Century Italian school Measure: height: 40cm. very good condition.
Category

Italian Baroque Antique 16th Century Figurative Sculptures

Materials

Silver

Saint Catherine of Alexandria
Located in Saint-Ouen, FR
SAINT CATHERINE OF ALEXANDRIA ORIGIN : SWABIA, ULM REGION PERIOD : ca. 1510-1520 Height : 118 cm Length : 39 cm Depth : 17 cm Limewood...
Category

Antique 16th Century Figurative Sculptures

Materials

Wood

Pair of Burmese Sandstone Temple Guards
Located in Kastrup, DK
A rare pair of carved sandstone Burmese temple guards. Originates from paragode in Burma c. 15-17th century. Handcarved with fine details. Each guard ...
Category

Burmese Other Antique 16th Century Figurative Sculptures

Materials

Sandstone

Religious Sculpture Representing the Nativity, Carved Wood from the 16th Century
Located in Saint-Ouen, FR
Religious sculpture representing the nativity, carved wood from the 16th century. Carved wood sculpture, walnut wood and oak wood base, sculpture representing the nativity, circa 16...
Category

French Neoclassical Antique 16th Century Figurative Sculptures

Materials

Oak, Walnut

Renaissance Period Hand Carved Oak Panels, 16th Century
Located in Beuzevillette, FR
Set of two 16th century oak panels, one representing a character accompanied by a dog, the other a character in flames, probably saints. These ...
Category

French Renaissance Antique 16th Century Figurative Sculptures

Materials

Oak

15th-17th Century Burmese Sandstone Demon Figure Mounted on Base
Located in Kastrup, DK
400-600 year old sandstone figure of a "Demon" carved in deep relief. In good original condition with a natural age-related patina that emphasizes the figure's age and authenticity. ...
Category

Burmese Other Antique 16th Century Figurative Sculptures

Materials

Sandstone

Fra Mattia Della Robbia, Saint Joseph, Tuscany, Around 1505-1510
Located in Bruxelles, BE
Fra Mattia Della Robbia (Firenze 1468-1534) Saint Joseph Terracotta Tuscany, around 1505-1510 55 x 40 x 30 cm Marco della Robbia the Younger (April 6, 1468 in Florence - 15...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Terracotta

Saint Paul, Carved and Polychromed Wood. Spanish School, 16th Century
Located in Madrid, ES
Spanish school of the sixteenth century. "Saint Paul". Carved and polychrome wood. Devotional image of a round piece carved in wood, polychrome and gilded, representing the Apostle ...
Category

Spanish Renaissance Antique 16th Century Figurative Sculptures

Materials

Other

Sandstone Carving of Two Demons Riding on Elephants
Located in Kastrup, DK
500-600 year old sandstone carving. The sculpture is depicting 'Two demons riding on elephants'. From Buddha pagoda / temple in Arakan, Burma, 1400-1500. Untouched and in original condition with great patina. Mounted on light sandstone plinth...
Category

Burmese Other Antique 16th Century Figurative Sculptures

Materials

Sandstone

Saint Ambrose Archbishop of Milan and Saint Augustine Bishop of Hippo, 16th Cent
Located in North Miami, FL
A pair of 16th Century Italian wood carved figures of Saint Ambrose Archbishop of Milan and Saint Augustine Bishop of Hippo, two of the four original Doc...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood

Taoist bronze figure China, Ming dynasty, 16th century
Located in Milano, IT
In the heart of ancient China, within the resplendent Ming dynasty, a masterpiece was cast in bronze, a testament to a culture steeped in mysticism and spirituality. This Taoist bron...
Category

Chinese Ming Antique 16th Century Figurative Sculptures

Materials

Bronze

Ming Dynasty Porcelain Shou Lau Figure
Located in Queens, NY
Asian Chinese (Ming Dynasty-Circa 1500) blue & green porcelain Shou Lau seated figure with oversize head (symbolism of longevity & luck) on a base suppo...
Category

Chinese Chinese Export Antique 16th Century Figurative Sculptures

Materials

Porcelain

Rare 16th-Century Spanish Polychrome Alabaster Sculpture of the Virgin Mary
Located in Madrid, ES
Rare 16th-Century Spanish Polychrome Alabaster Sculpture of the Virgin Mary Description: This exquisite and rare 16th-century Spanish sculpture of the Virgin Mary is a masterful example of Renaissance religious art. Finely carved in alabaster, the figure retains traces of its original polychrome finish, reflecting the craftsmanship and devotional spirit of the era. The Virgin Mary is depicted with grace and serenity, her delicate features and flowing robes showcasing the artistry of the period. The sculpture’s natural patina and signs of age enhance its authenticity, making it a significant piece for collectors of sacred or historical art. Dimensions: Height: 44 cm Width: 17 cm Depth: 15 cm Key Features: 16th-Century Craftsmanship: A finely detailed alabaster carving with remnants of polychrome, representing the Virgin Mary. Spanish Renaissance Origin: A testament to the religious and artistic traditions of 16th-century Spain. Authentic Patina: Centuries of natural wear add historical depth and character to the piece. Devotional and Artistic Appeal: Perfect for private collections, sacred spaces, or as a centerpiece in any setting. Good Condition: Well-preserved for its age, maintaining its structural integrity and artistic impact. This rare alabaster sculpture offers a glimpse into the religious devotion and artistic achievements of the Spanish Renaissance. Its historical significance and timeless beauty make it an exceptional addition to any collection. Why Choose This Sculpture? A genuine 16th-century artifact of exceptional craftsmanship. A piece that embodies the spiritual and artistic legacy of Renaissance Spain. Adds profound historical and devotional value to any collection or space. Bring home this extraordinary polychrome alabaster Virgin Mary...
Category

Antique 16th Century Figurative Sculptures

Materials

Alabaster

Small Thai Seated Bronze Buddha Maravijaya, Ayutthaya, 16th Century
Located in Austin, TX
A small Thai cast seated bronze figure of the historical Buddha Shakyamuni, Northern Thailand, Ayutthaya period, 16th century. This sculpture captures the m...
Category

Thai Tribal Antique 16th Century Figurative Sculptures

Materials

Bronze

Carved Wooden Sculpture of Mary Magdalene, Circa 1500.
Located in Saint-Ouen, FR
Carved wooden sculpture of Mary Magdalene, circa 1500. Large limewood sculpture with traces of polychromy representing Mary Magdalene, German work, circa 1500. H: 80cm. W: 35cm, D: ...
Category

German Antique 16th Century Figurative Sculptures

Materials

Wood

Bronze Statue Hans Peisser and Pankraz Labenwolf, Attributed to, Warrior
Located in Milano, IT
The bronze statue depicts a Turkish warrior with shield and sword. the warrior is shown bare without veils, with a base also made of oval-shaped bronze, acting in a war scene. Detai...
Category

German Renaissance Antique 16th Century Figurative Sculptures

Materials

Bronze

San Rocco By Nero Alberti Da Sansepolcro (1502-1568)
Located in Los Angeles, CA
Formerly known as the "Master of Magione", Nero Alberti da Sansepolcro established a workshop around Perugia in the mid 16th century specializing in the production of devotional imag...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood, Giltwood, Paint

16th Century Head Of A Noble
Located in Round Top, TX
A very striking 16th century statue - head of a nobleman - crafted from Roman concrete - opus caementicium. Roman concrete is durable due to its incorporation of volcanic ash, which...
Category

Italian Antique 16th Century Figurative Sculptures

Materials

Coade Stone

16th C Mechelen Doll-letter M carved in the back.Some leftovers of polychromy
Located in Leuven , BE
Mechelen dolls are rare wooden devotional figurines (mainly walnut was used), which were made by some members of the Guild of Saint Luke. The figures, all individual saints, were made from reference models using highly regulated carving and polychrome techniques. They had to meet several requirements. The shape of the rug had to meet certain criteria and the letter M (from Mechelen) had to be visible in the shape. These devotional or saint figurines...
Category

Belgian Antique 16th Century Figurative Sculptures

Materials

Fruitwood

The Betrothal and Love of Mary and Joseph, 1500-1600s, Carved Wood Polychromed
Located in North Miami, FL
Early 16th Century Spanish carved-wood and polychromed panel of The Betrothal and Love of Joseph and Mary mounted on a Lucite panel and framed with a walnut wood hand-finished frame.
Category

Spanish Renaissance Antique 16th Century Figurative Sculptures

Materials

Gold Leaf

Large Sculpture of the Virgin Mary from the 16th Century Dimensions: 98x35x25 cm
Located in Madrid, ES
This majestic sculpture of the Virgin Mary, created in the 16 th century, is a unique piece of sacred art that stands out for its impressive detail and the beauty of its form. Crafte...
Category

Antique 16th Century Figurative Sculptures

Materials

Fruitwood

Pair of Ming Dynasty Horsemen Roof Tiles
Located in London, GB
A pair of Chinese Ming Dynasty (1368-1644) sancai-glazed ridge tiles modelled as horse and rider. Both tiles are glazed in rich green and amber, the horses ...
Category

Chinese Ming Antique 16th Century Figurative Sculptures

Materials

Pottery

Large Sculpture of the Virgin Mary from the 16th Century Dimensions: 98x35x25 cm
Located in Madrid, ES
This majestic sculpture of the Virgin Mary, created in the 16 th century, is a unique piece of sacred art that stands out for its impressive detail and the beauty of its form. Crafte...
Category

Antique 16th Century Figurative Sculptures

Materials

Fruitwood

Early 16th Century English oak panel with applied carved head of a Tudor lady
Located in Bakewell, GB
Early 16c English oak panel with applied carved head of a Tudor lady size 38 cms x 29cms deep and 3cms deep
Category

English Antique 16th Century Figurative Sculptures

Materials

Oak

Angel, Carved and Polychrome Wood, 16th Century
Located in Madrid, ES
Angel. Carved and polychrome wood. Century XVI. Polychrome wood carving showing an angel, with the face facing the viewer and the body in pr...
Category

Spanish Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood

Jesus Christ the Conqueror Raising the Flag After his Resurrection, 16th Century
Located in North Miami, FL
16th Century Italian carved-wood and polychromed sculpture of Jesus Christ the conqueror raising the flag after his resurrection.
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Gold Leaf

Saints Apostles John and Paul, Wood, Castillian School, 16th Century
Located in Madrid, ES
Pair of polychrome wood sculptures. "San Juan and San Pablo". Castilian school, 16th century. Both male figures have been represented standing, with their main iconographic attrib...
Category

Spanish Renaissance Antique 16th Century Figurative Sculptures

Materials

Other

Adoration of the shepherds - Large high-relief, Northern Italy Circa 1500
Located in PARIS, FR
Large high relief in carved and gilt wood, with many traces of polychromy, representing the Adoration of the Shepherds. The evangelist Luke first mentions that the scene takes place at night. A sudden light, which frightens the shepherds, signals the arrival of an angel who announces "great joy". He gives them a sign: they will find "a newborn baby wrapped...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood

Large Madonna and Child Statue , France 16th century
Located in PARIS, FR
Large Virgin and Child Statue in Majesty, seated, holding Christ in her left hand. Sixteenth century Mosan(?) work. Oak wood, hollowed out at the back. No traces of original gilt no...
Category

French Renaissance Antique 16th Century Figurative Sculptures

Materials

Oak

Agnolo di Polo Firenze 1470 - Arezzo 1528' - Saint Nicholas of Tolentino
Located in Bruxelles, BE
Agnolo di Polo (Firenze 1470 - Arezzo 1528) Saint Nicholas of Tolentino Around 1510-1520 Painted and gilded terracotta 55.5 x 24 x 16.5 cm San Nicholas de Tolentino is represe...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Terracotta

A deep and well carved panel English oak 16th century
Located in Bakewell, GB
A deep and well carved panel English oak with many figures in deep relief and a good colour Circa 1520 33cms wide x 21cms high
Category

English Antique 16th Century Figurative Sculptures

Materials

Oak

Large European Mediaeval Oak Carving of Christ in the Tomb
Located in Godshill, Isle of Wight
Large European Mediaeval Oak Carving of Christ in the Tomb The sculpture is partially polychrome and depicts “The Pamoison de la Vierge” also known as the “Swooning Virgin” this sc...
Category

Medieval Antique 16th Century Figurative Sculptures

Materials

Oak

renaissance wooden candelabrum and painted cross - Umbria, 16th century
Located in Bruxelles, BE
Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood, Giltwood

Chinese Jade Figure of Guanyin
Located in Bradenton, FL
Most likely Ming 15th/16th Century, carved chicken bone jade figure of a standing Guanyin (Quanyin) holding a scroll in one hand, prayer beads in the other. Affixed to carved wood ba...
Category

Chinese Ming Antique 16th Century Figurative Sculptures

Materials

Organic Material

Sculpture of John The Baptist, 16th Century
Located in North Miami, FL
Early 16th Century Spanish gold gilded and polychromed carved wood sculpture of John The Baptist.
Category

Spanish Renaissance Antique 16th Century Figurative Sculptures

Materials

Gold Leaf

Pair of 5ft5inch tall 16th century Carved Bishops
Located in Malton, GB
These are a truly special piece of early Religious art. These are a pair of 16th century carved wooden bishops from the Picardy region in France. T...
Category

Antique 16th Century Figurative Sculptures

Materials

Hardwood

16th Century Marble Statue of a Robed Figure
Located in Los Angeles, CA
Fine, hand-carved, Carrara marble, robed figure from central Italy modeled in the Classical, contrapposto pose. The inscription fragment on the base reads "..under the auspices of...".
Category

Italian Antique 16th Century Figurative Sculptures

Materials

Marble

16h century Griffin Head - Italy
Located in Bruxelles, BE
Griffin head Italy, 16th century On a modern metal stand Measures: 20 x 29 x 21 cm (without the stand) The griffin is a legendary creature with the body of a lion, the head an...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Marble

16h century Griffin Head - Italy
16h century Griffin Head - Italy
$4,178 Sale Price
30% Off
Important Sculpture Representing Saint Barbara
Located in Saint-Ouen, FR
IMPORTANT WOOD SCULPTURE REPRESENTING SAINT BARBARA ORIGIN : NORTHERN FRANCE OR FLANDERS PERIOD : 16th CENTURY Height: 103 cm Length: 40 cm Depth: 30 cm Oak wood Good condition Saint Barbara was the daughter of Dioscorus who imprisonned her in a tower to prevent her from being corrupted by Christianity. Despite this, she was taught and baptisted by a local priest. According to legend, she proved her faith by carving a third window into the tower, symbolic of the Trinity. Once her father learned this, he threatened her with his sword. She managed to escape and hide, not before being revealed by a sheperd. She was thrown in jail and tortured, refusing to denounce her faith. Her father forced her up to the mountain’s summit and decapitated her, afterwhich God struck him down by lightning. Saint Barbara`s following was popularized in the Occident in the 13th century because of the Golden Legend...
Category

Antique 16th Century Figurative Sculptures

Materials

Oak

16th Century Polychrome Reliquary of a Monk
Located in Saint-Ouen, FR
The monk is depicted with an oval face, marked with high and strong cheekbones, sunken cheeks, strong jawbones and a cleft chin. His almond shaped eyes are opened under very strong a...
Category

Italian Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood

Large rare antique statue of Saint Eligius, France ca. 1550
Located in Meulebeke, BE
France / 1550 / statue Saint Eligius / Antique / reliques Religious statue of Saint Eligius from the 16th century in full wood found in France. This very rare find has a beautiful patina due to its old age. The hand and staff are missing. A true treasure and historical piece. The intricate carvings on the robe showcase the artisan's talent, with every fold. The natural wood grain adds a touch of warmth and authenticity to this unique piece of relic art...
Category

French Gothic Antique 16th Century Figurative Sculptures

Materials

Wood

Large Virgin and Child, Tyrol, 16th century
Located in PARIS, FR
Large wooden Madonna and Child, painted and carved in hollow at the back. The theme of the Virgin and Child is the most represented in all Christian art, whereas the infancy of Jesus...
Category

German Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood, Pine

Gothic Period Carved Stone Statue of Saint Nicholas
Located in Round Top, TX
A wonderful Gothic period hand carved stone statue of Saint Nicholas from the Avignon area of France. The now headless Saint Nicholas holds his staff an...
Category

French Antique 16th Century Figurative Sculptures

Materials

Stone

16th Century Southern Germany Wood Figure of Saint Roch
Located in Saint-Ouen, FR
Easily recognizable with his gesture of showing pest effect on his thigh this pilgrim saint is accompanied by an angel curing him. The quality of the wood is noteworthy. Bibliography Louis Réau, Iconographie de l’Art Chrétien...
Category

German Renaissance Antique 16th Century Figurative Sculptures

Materials

Wood

Recently Viewed

View All