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Sicilian Cart Axle Representing St George Polychrome Wood And Wrought Iron - 19t

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19th Century Polychrome Wooden Horse
Located in Brussels, Brussels
Elegant little carved wooden horse from the 19th century in polychrome wood Very beautiful polychromy which has a lot of charm Old child's toy with the front wheels which moves ...
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Antique 19th Century British Aesthetic Movement Toys and Dolls

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Fruitwood

Scottish Ram in Polychrome Wood, 19th Century
Located in Brussels, Brussels
Superb polychrome carved wooden ram from Scotland-19th century Very elegant and surprising ram which is almost carved at life size which comes from a Manor in Scotland. Uncommon ...
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Antique 19th Century Scottish Folk Art Animal Sculptures

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Pair of Scottish Ram in Polychrome Wood, 19 Century
Located in Brussels, Brussels
Superb pair of rams in polychrome carved wood from Scotland-19th century Very elegant and unique pair of rams which are almost carved at life size which come from a Manor in Scotl...
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Antique 19th Century Scottish Folk Art Sculptures and Carvings

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19th Century Polychrome Wooden Horse
Located in Brussels, Brussels
Elegant carved wooden horse from the 19th century in polychrome wood from England Very beautiful movement which has a lot of charm Beautiful patina The dimensions include the bo...
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Antique 19th Century British Victorian Figurative Sculptures

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Wood

Altarpiece Representing The Annunciation, North of Portugal, circa 1600
Located in Brussels, Brussels
Exceptional altarpiece representing the annunciation circa 1600, fruitwood rare altarpiece from the North of Portugal, unique due to its large size representing the scene of the annunciation, where the Archangel Gabriel (represented on the bottom left), sent by god (represented on the top left) announces to Marie (bottom right) that she will give birth to Jesus. Very good state of conservation, carved on three panels Dimension: Height 1m51 Width 1m03 Very nice colour and exceptional dimensions Restorations of use We placed the altarpiece on a red velvet base and a Spanish occasional...
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Antique 17th Century Portuguese Renaissance Figurative Sculptures

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Fruitwood

Large Console in Wrought Iron and Marble, 19th Century
Located in Brussels, Brussels
Superb large console of 2m22 in wrought iron topped with a gray marble Very beautiful gray marble of 4 cm which is rare and gives a lot of character to the console with a beck of co...
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Antique Late 19th Century Belgian Napoleon III Console Tables

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Sculpture in Polychrome Wood Representing Saint Anthony Hermit
Located in Saint-Ouen, FR
Sculpture In Polychrome Wood Representing Saint Anthony Hermit Origin : East of France Period : End of the 15th century Measures: Height : 97 cm Width : 32 cm Depth : 26 cm Polychrome wood The saint is represented by an old, bearded man, dressed in a hooded monk’s habit over the tunic of his religious order. He is stood upright, holding an open book, La Règle des Antonnites, in his right hand. In the other hand, he is holding a staff in the form of the Greek letter tau with a rosary hanging down over it. At his feet lies a pig wearing a small bell around its neck. He rests on his right leg, whilst the left advances forward as if he were about to start walking. His belted tunic, forming several rectilinear pleats, is covered by a habit which is open only at the waist, therefore revealing these pleats. He is also wearing a hooded scapular over his shoulders. His thick hair escapes from under a distinctive hat, forming a collection of finely sculpted ringlets. This fine detail is also applied to the four long ringlets of his superb beard, which sit just below the shorter ones of his moustache. His face is a picture of harmony, with lowered eyes and his small mouth lost amongst the abundance of hair. At his feet on a pedestal of flames, hinting to the fire of Saint Anthony no doubt, a pig trying to scratch its ear. Born in 251 in Upper Egypt, he withdrew into solitude at a very young age. He would have been plagued in the desert with extremely diabolical temptations. He payed a visit to Saint Paul the hermit towards the end of his life. He was the dean of the Thébaïde anchorites, who was miraculously fed by a crow. On the day that Saint Anthony visited, the crow brought two portions of bread in its beak instead of one. Some time after, having learnt of the death of his venerable brother, Saint Anthony went to bury him with the help of two lions. The King of Catalonia pleaded to come and exorcise his posessed wife and children. He left Thébaïde for Barcelona. He appeared at the house of the provost André, bringing him a sow in his mouth, a monstrous piglet born without eyes. André wanted to kill it but Anthony stopped him, telling him that the poor beast wanted to ask for healing, as the King had done for his offspring. He made a sign of the cross on the piglet and it suddenly acquired its sight and the members which it did not have at birth. After which, André, guided by Saint Anthony, exorcised the Queen of Catalonia in the same way whilst she knelt at his feet. Théophile discovered the body of Saint Anthony wrapped in a palm fibre tunic which he had been given by Saint Paul the Hermit. In the Red Sea Desert there are two Coptic, IV century, monasteries which stand next to each other, one dedicated to Saint Anthony, the other to Saint Paul the Hermit. They are the oldest monasteries in the Christian world. The body of the famous hermit was transported to Constantinople and would have been transferred into the abbaye, Saint Antoine-en-Viennois, Dauphine. The Antonnite Order was a charitable order which specialised in treating contagious diseases. The fire of Saint Anthony, was identified by doctors as a grangrenous ergotism, caused by a diet of rye bread contaminated with the parasite ergot. The effect of this is the drying out of hands and feet which then need amputation, the plague and then later syphilis. All the skin diseases came from Saint Anthony. Saint Anthony’s pilgrimage to Dauphine rivaled that of Saint Jacques to Compostela. Thanks to the various commanderies created by the mother house, Saint Anthony’s cult spread throughout Christianity. In order to maintain commanderies and their hospitals, the Antonnites resorted to pig farming. They enjoyed having the benefit of letting their pigs roam freely through the streets of the villages, with little bells round their necks that had a recognisable chime so that they were able to find them. This privilege was very envied by other monastic Orders. Saint Anthony was the patron saint of several crafts such as basket makers and gravediggers. However it is to the pig that he owes the majority of his patronages; pigkeepers, pig sellers, butchers, porc butchers, brush makers who use pig bristle and bell-ringers because of the pig bells...
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Antique 15th Century and Earlier Figurative Sculptures

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Sculpture representing a bird in polychrome wood and brass. Signed Italian work
Located in Marcq-en-Barœul, Hauts-de-France
This very nice and fine sculpture representing a bird is made of polychrome wood and chiseled brass. This an Italian work, Signed . Circa 1970
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Vintage 1970s French Mid-Century Modern Animal Sculptures

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Sculpture in Polychrome Wood Representing Saint Marguerite, 18th Century.
Located in Saint-Ouen, FR
Sculpture in polychrome wood representing Saint Marguerite, 18th century. Sculpture of Saint Marguerite in carved wood and polychrome wood, France, 18th century. H: 54cm, W: 22cm, D...
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Antique 18th Century French Classical Roman Figurative Sculptures

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Venetian, Wood Statue of St. George
Located in Los Angeles, CA
Hand-carved and hand-painted wood statue of St. George with polychrome and delicate, gilded lacework.
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Antique 18th Century and Earlier Italian Statues

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Exquisite Polychrome Spanish santo wood sculpture of St. Dominic
Located in Leesburg, VA
Exquisite Polychrome Spanish santo wood sculpture of St. Dominic Anonymous ca. 1700; Spain or the Spanish Americas Polychrome wood Approximate ...
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17th Century St. Nicholas Sculpture Polychrome Carved Wood
Located in Milan, IT
17th century St. Nicholas Polychrome carved wood, h. 133 cm In the past, wooden statues were frequently commissioned to artists for the results of intense naturalism that emoti...
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Antique 17th Century Italian Figurative Sculptures

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