Statuary Carrara Marble Statue of Adonis

Antique statuary carrara marble bust of John Milton. Circa 1880 John Milton (9 December 1608 – 8 November 1674) was an English poet and civil servant for the Commonwealth of En...

A finely carved white statuary marble figure of Psyche. In Greek mythology, Psyche is the goddess of the soul and wife of Eros, god of love. She was the most beautiful girl in the w...

An antique Carrara marble sculpture “Venus Italica” after Antonio Canova (1757-1822) Made in Italy during the 19th century. When the Medici Venus was forcibly removed from the Tribuna of the Uffizi by Napoleon’s forces, King Louis I of Etruria commissioned Antonio Canova to replace the figure. True to nature, Canova submitted a wholly original figure to rival the antiquity, despite originally being asked to sculpt a copy. Canova’s Venus...

A large (almost life-sized) antique Carrara marble statue of a Roman legionary. Dressed in typical Roman soldier costume and with sword and shield in ...

Luoise Brongniart bust, Brongniart marble sculpture, neoclassical sculpture. Fine portrait of the daughter of the famous neoclassical architect Alexandre-Théodore Brongniart (1739-18...

marble foot, sculpture foot, classical foot, white statuary marble foot. Classical-style foot fragment sculpture of white statuary marble placed on red travertine base. ▪ Made in Italy

Carrara marble statue fragment of happy young man. Custom stand is newly made. Italy Circa 1820 Marble. Metal stand.

Alfred Boucher (French, 1850-1934), ‘Diana the Huntress’, A Near Lifesize Statuary Marble Group. Modelled nude with head turned looking to her left, striding forward holding the greyhound by its collar with her right hand and a giltwood bow in her left hand. On an integral carved base with foliage support. Signed 'A. BOUCHER' Boucher’s choice of pose is deliberately indebted to the celebrated mid-16th century painting of Diana the Huntress by an anonymous artist of the School of Fontainebleau. The painting is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana, who is shown nude, walking forward beside a greyhound, looking over her left shoulder and holding a bow. Another clear antecedent for Boucher’s ‘Diane the Huntress...