Carved Figurative Sculptures

This seated Burmese figure captures a musician in eternal song. The wooden figure is hand-carved with a seated posture, legs crossed and arms outstretch...

The piece was found in France. the gorgeous patina and losses show this artifact in a very wonderful way. We mounted the pice with hand made iron presented for display

Important antique (19th century) Italian Orientalist white marble statue of two Moorish lovers, possibly depicting Othello and Desdemona, exquisitely carved with wonderful details, s...

This pair of 18th-century architectural fragments captures the elegance and craftsmanship of colonial-era decorative art. Originally part of a larger structure, these wooden fragments showcase intricate carvings, likely once embellishing a grand interior space with their distinctive style. Each piece features a graceful, fluted column-like design with scrolling volutes, adding a sense of movement and refinement that reflects the baroque influence prevalent during the period. The patina on the wood speaks to the age and authenticity of these fragments, with a natural wear that enhances their character and historical charm. Delicate foliate motifs can be observed near the top, subtly incorporated into the design to evoke a sense of organic beauty. The unique curvature and details would have made these fragments a highlight within their original architectural setting. These fragments are versatile in their potential uses today, making them ideal as decorative pieces in various settings. Whether mounted on a wall or displayed on pedestals, they serve as striking reminders of 18th-century artistry and add a sense of historical grandeur to any space. Perfect for collectors of architectural antiques or those seeking to bring a touch of old-world charm into their interiors, these fragments stand...

French Empire patinated bronze sculpture of a group of boys and amphoras by Auguste Moreau By: Auguste Moreau Material: bronze, copper, metal Technique: patinated, cast, carved, pol...

This sculpture is carved from a single piece of wood. The wood is very richly grained. It's hand-painted in a jeweled fashion. It's definitely a collectible piece.

This remarkable carved wooden statue is approximately 380 years old and was carved from Italian Rovere or Durmast wood. This is a variety of European oak known for its tough and heav...

This 20th century Saint Benedict polychrome wooden statue radiates an aura of tranquility and wisdom, making it a cherished piece of sacred art. Standing 84 cm tall, the statue depi...

Step back in time with this stunning hand-chased cast bronze figurine, reminiscent of the beautiful Rococo era. Sculpture depicting a beautiful young lady in a garden by a fountain, ...

Dancing woman with candle holder. Materials: Patinated bronze Brown, signed and justified EA on the base. Made in France by Patrick Laroche, Meilleur Ouvrier de France award in the S...

Large Art Deco carved wood reclining nude, Stylized Hair / Face, Iconic design, pose. Retains original surface, patina. Possibly held a planter, fish bow...

Late 20th century varnished wood decorative feminine sculpture with carved abdominal void, Brazil By: unknown Material: wood Technique: carved, hand-carved, hand-crafted, varnished ...

A White Marble Figural Group of Venus and Cupid by Henri Weigele. Signed ‘H. Weigele’ and titled ‘IL PASSEPA' Born in Schierbach, Haut-Rhin, Henri Weigele (1858- 1927) studied sc...

Grégoire Calvet (French, 1871-1928) A Fine Late 19th Century Life-Size White Marble Sculpture representing "Peace & Love". The beautifully carved white...

19th century Italian hand-carved and painted cherub presents a charming, colorful and adorable rendering of a young winged cherub, holding a spiral torchere in one hand that can be u...

Royal Dux figurine Hand painted and impressive porcelain figurine modelled as two shell shaped dishes surmounted by two maidens, raised on a rustic spreadi...

1990s Bust of a woman, hand carved by craftsmen using Carrara white marble for the head and Alicante red for the toga and hut, where the white veins give movement and realism to the ...

Depictions of young angelic boys are also known as putti, or putto for a single one. Since the 17th century on they remained popular and are found in various forms. Perhaps the most known version is Cupid. Looking at their attributes time periods can be narrowed down. In this example we see a rose Guirlande and a medaillon which are typical for the late 18th- early 19th century. The Rosso Verona Marble...

This hand-carved Art Deco sculpture is unsigned, but presumed to have originated from France and date to approximately 1920 and done in the period Art Deco style. The sculpture is done in a softwood and depicts a stylized recling nude female holding a basket high above her head. The sculpture is mounted on a stepped base with painted inset accent squares. This could be a depiction of a woman giving...

Bodhisattva, a religious sculpture, probably made in India 1750-1850. The sculpture has been painted and gilded, but with very little remains. Bodhisattva, in Buddhism, is one who s...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Mario Dal Fabbro sculpture no. 24 Signed, 1976. Nodding head. C.6 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honours in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955) and How to Make Children's Furniture and Play Equipment...

This hand-carved wooden sculpture is unsigned, but presumed to have originated from Quebic Canada and date to approximately 1950 and done in the period Folk Art style. The sculpture ...

Decorate a wall or dress a over-door with this elegant antique sculpture. Crafted in southern France circa 1860, the element depicts an ornate, gilt decorative wood wall mounted carv...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This charming teapot dates to the late Qing dynasty and is hand-carved from a hollow length of bamboo in the shape of a ripe pomegranate. The handle is carved to resemble a thin branch, which forks to either side of the teapot bearing long, slender leaves. The teapot has a squat, rounded form and a dark brown finish, reminiscent of Yixing red clay teapots...

An aesthetically charming antelope sculpture in rich grainy rosewood. Both effortless and valiant despite its diminutive size. Measures: 5.13" T x ...

Recently salvaged from old Downtown Buffalo New York church rectory, lifesize carved wood statue, "Joseph" which once adorned the vestibule, well executed, wonderful detail, great si...

Beautiful large figural wooden sculpture of three naked entwined women by Luigi Conti. Luigi Conti was an Italian artist who was born in 1930. Italy, 1930-1991. Dimensions: H...

Sculpture of an abstracted head hand-carved from alabaster.

A French carved walnut putto feeding a swan sculpture from the late 19th century, with marble base. Created in France during the last quarter of the 19th century, this walnut sculpte...

Decorate a wall or dress a over-door with this elegant antique gilt carving. Crafted in Provence, France circa 1780, the element features a center cherub sculpture holding a flower b...

"Pair of Asian Thai (19/20th Cent) carved figures with gold and jeweled glass clothes on square shaped base One is 38 h x 11 w x 8 d. And the other with leg up is 39.25 h x 16 w x ...

Baroque After Francisco Ruiz Gijon Saint Francis of Assisi Polychrome and Parcel Gilt Carved Wood, Insert Glass Eyes Spain, Late 17th Century Francisc...

Large hardstone Forbes Sullyare protected by spirits fruit serpentine, measure: 18" high x 29" diameter.

Doted on like an actual child, this carved doll was once owned by a young girl among the Namji people of northwest Cameroon. Carted around by its owner wherever she went and lovingly...

A pair 19th century (1850s) (Grand Tour) Italian carved multi-marble busts of Augustus of Prima Porta and Julius Cesar. These extremely fine an...

This pair of small hand carved oak statues measure only 13 inches high (33 cm), and were likely originally, part of a larger structure. Oak was the predominate wood used for making f...

You just got to love this guy! A wacky looking bearded Indian pipe head. Probably 19th century France. Beautifully carved by a artisan with a sense of humor.

Antique statuary carrara marble bust of John Milton. Circa 1880 John Milton (9 December 1608 – 8 November 1674) was an English poet and civil servant for the Commonwealth of En...

Cupid Holding a Bow by French Sculptor Joseph-Charles Marin (1759-1834) White Marble, signed and dated 1784 Provenance: Carl Singer, from the Estate of Charles Hitchcock Tyler, Beverly MA...

American Art Deco Nude Kneeling Woman Carved Slate Sculpture ca. 1920 DETAILS Mounted on original marble base. Apparently unsigned. DIMENSIONS Hei...

A large and interesting 19th c theatrical wooden mask. Sculptured of wood with great skill and inlayed with glass eyes. He looks somewhat crazy but with a great sense of humour.

Depictions of young angelic boys are also known as putti, or putto for a single one. Since the 17th century on they remained popular and are found in various forms. Perhaps the most known version is Cupid. Looking at their attributes time periods can be narrowed down. In this example we see a rose Guirlande and a medaillon which are typical for the late 18th-early 19th century. The Rosso Verona Marble...

Mid-Century Modern, Cubist style hand carved mahogany wooden sculpture of a seated nude, France, 1960.

Well sculpted white marble statue by the artist Viviana. It is signed on the center back base. It has had a professional restoration to one toe that is shown in the photo. The mothe...

An extremely well carved pair of Statuary Carrara marble busts on marble pedestals, by important sculptor Odoardo Fantacchiotti.  Odoardo Fantacchiotti (11 May 1811–4 June 1877) was an Italian sculptor of the late-Neoclassic period. He was born in Rome, but his family moved to Florence. In 1820, he enrolled in the Accademia di Belle Arti di Firenze. At the Academy, he studied under S. Ricci, and first started exhibiting in 1828. Gaining the patronage of the Grand Duke, he continued his studies, following the ideas of Aristodemo Costoli of depicting the "bello naturale". In 1839 at the Academy, he exhibited the work of the Massacre of the Innocents. In 1840 he was named professor at the Academy. Among his public works are the statue of Boccaacio and dell'Accorso for the ground floor niches of the courtyard of the Uffizi, medallions commemorating Francesco Redi and the bust of Ferdinando II de Medici for the Museo della Specola, a statue of Sallustio Bandini (now at the Accademia dei Georgeofili, but initially planned for the loggia of the Uffizi. A marble Virgin...

Two hand-carved and colorfully painted 20th century wood workmen. A whimsical pair with expressions we can all understand. Decorative and interesting!

A very good quality mid-19th century Italian marble statue of a young child standing next to a wicker basket, crying. Unsigned.

A wonderfully hand carved rough stone head in a classical style. This piece would make a fantastic centrepiece or talking point.

17th Century Spanish carved oak wood sculpture of Saint Francis Xavier, the co-founder of the society of Jesus.

This large two-piece antique female statue on base was crafted in Normandy, France, circa 1820. Made of pine wood, the tall figure depicts a religious figure woman in adoration stand...

Impressive Austrian cold painted silver bronze figure of a naked Art Deco lady in a questioning pose with one hand out, signed Adolph and raised on a tall cy...

W.P.A. Style Terracotta Figure's Study attributed to Frank Dobson. Amazing sculpture... unsigned but please feel free to research Dobson's terracotta studysmm Dobson, Frank (1886–1963). British sculptor, born in London, the son of an illustrator of the same name. From 1902 to 1904 he worked as an assistant to William Reynolds-Stephens. He then spent two years in Cornwall, earning his living with landscape watercolours, before winning a scholarship to Hospitalfield Art Institute, Arbroath, where he studied 1906–10. After returning to London, he continued his studies at the City and Guilds School, Kennington, then again lived in Cornwall, where he shared a studio with Cedric Morris in Newlyn. His early work consisted mainly of paintings, the few surviving examples showing how impressed he was by Roger Fry’s Post-Impressionist exhibitions (Stanhope Forbes, whom Dobson met in Newlyn, had been shocked by his modernism). He made his first carving in 1913, but his first one-man exhibition—at the Chenil Gallery, London, in 1914—consisted of paintings and drawings. After the First World War (when he served in France with the Artists’ Rifles...

Carved stone statue of Saint Anne and child Mary.

A Pair of 16th Century Oak Saints: One being a male depicted wearing a long hooded cloak held together with a brooch over a flowing tunic tied at the ...

Large wooden Madonna and Child, painted and carved in hollow at the back. The theme of the Virgin and Child is the most represented in all Christian art, whereas the infancy of Jesus...

An antique marble bust of a bearded male in classical Roman attire. Larger than life size and carved in pure white Italian statuary Carrara marble. In u...

Opposing pair of Chinese polychrome painted and finely carved giltwood prancing horses.