French Cloisonné Enamel & Ormolu mounted Covered Urn In The Chinoiserie Style

A beautiful pair of English Regency Royal Crown Derby porcelain pot pourri vases and covers, of circular urn form and with pineapple finials, hand decorated in Imari palette with col...

A magnificent mid 19th century twin handled centre vase by Minton. Painted with exotic birds and with blue, pink and gilt handles and borders. The type is known as Sneyd, number 301,...

An exceptional 19th century Boulle work inkwell, of rectangular form, fitted with two cut glass ink wells and covers, with dished pen tray, decorated with cut brass arabesques...

An exceptional quality 19th century Ormolu centre piece in the Louis XVI style. The shallow lobed ogee bowl shaped receiver with lappest cast deep rim below a fluted swept top with l...

19th century, French Cloisonné vase on gilded bronze base This elegant vase or cachepot, made in France in the 19th century, has a gilded and finely chiselled bronze structure tha...

A very decorative French19th Century Chinese style Cloisonné enamel jardiniere, having wonderful gilded ormolu mounts of exotic bird handles, a pierced Chinese style stand and collar...

The large central circular form cloisonne enamel jardinière decorated with vari colored plum flowers and butterflies on a blue ground, with a pierced ormolu rim featuring a pineapple motif resting on a finely cast ormolu base with four legs in the form of winged Foo lions. The ormolu French, the enamel Chinese. This impressive jardinie`re is very much in the manner of objects in enamel produced by Ferdinand Barbedienne in Paris in the last quarter of the 19th century which proved universally popular. Often these pieces were designed by Edouard Lievre (d. 1886) in the Oriental taste. Ferdinand Barbedienne was a famous French metal worker and manufacturer. He presided over one of the most renowned and prolific foundries of Belle Époque Paris. His atelier created sculptures, clocks and bronze mounts of the highest quality, and his works were shown at numerous international exhibitions of the period, where he was rewarded with many medals. Among them the Grande Me´daille d'Honneur, in Paris in 1855 is particularly noteworthy. In 1838 he associated with the engineer Achille Collas (1795-1859) who had just invented a process to reproduce statues at a smaller scale. Together they founded in 1839 the company "Collas et Barbedienne" to reproduce casts of both contemporary artists and Greek and Roman antiquities. While working with Collas, Barbedienne actively pursued contracts with many sculptors of Paris contracting with David D'Angers, Jean-Baptiste Clesinger, and even producing some casts for Antoine Louis Barye as well as others. From 1860 to the years 1890, Barbedienne, eager to research new processes, experimented new techniques in champleve´ and cloisonne´-enamels, to compete with Japanese importations, very fashionable then. When Collas died in 1859, the business was left to Barbedienne as sole owner. The company who had over 300 employees was prosperous as well in the field of reproductions as in its department specialized in the casting of monumental bronzes. In 1865, he was appointed President of the Reunion of Bronze Makers until 1885. After the 1870 war...

A 19th Century Antique French Sevres Style Hand Painted and Mounted Chateau des Tuileries Style covered urn with Gilt Highlights and Front & Back Panels of variegated flowers Scenes....