Oriental Red Ceramic Lidded Vase or Urn

A pair of 1970's Moroccan hand made palatial lidded vases with an entrancing and elaborate design scheme, brass frame and the sculptural grace that only master artisans can provide, ...

Featuring cool, serene shades of green and orange and an exquisite hand painted arabesque design, this sumptuous handcrafted ceramic vase provides a breezy elegance to any living spa...

A highly decorative vintage Asian amber glass vase or lid urn. The urn features a handcrafted flower brass design in the center of the vase, a round wooden base in black and gilt decorated. The lid of the urn is in the shape of a sword holder...

A gorgeous pair of late 20th century French vases or urn in the manner of Sèvres. The vases are beautifully hand painted depicting romantic scene in a fabulous turquoise and purple d...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School...

1970s tall studio terracotta jar / urn, uniquely thin with a removable lid. Hand-applied linear and geometric design with an attractive color palette of black, brown, beige, and red....

Red and white ceramic vase with a beautifully complicated geometric design. It is a bright piece which stands out due to its contrasting colors typical for midcentury design.

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...