19th Century Bronze Decorative Rhyton Style Shaped Swan Vases

Bronze 19th century Gothic style candleholders Two bronze candleholders in beautiful bronze patina Measurements are 30 cm high and 13 cm diagonal The weight in total is 2020 gram.

French Art Deco bronze and Onyx mantelpieces, ca. 1920 Set of two decorative mantelpieces, made of bronze and Onyx. On a square black marble with an onyx square base, then tapering ...

A pair small French 19th century gilt bronze cassolettes 19 cm high cassolettes on marble foot with a base on tripod legs with guirlandes and each has a reversible cover with flam...

Bronze sculptures "Ostriches" by Stransky Two beautiful bronze statues of ostriches. The heads of the ostriches each have a different expression. With a very long neck, the statue s...

This is a French decorative brass vase from the 1970s, designed as a sculpture of two swans. The body of one swan elegantly forms the vase, while the other completes the sculptural ensemble. Crafted from high-quality polished brass, this piece stands out for its shine, refined lines, and symbolic harmony. Main Features: Made in France, circa 1970 Material: solid polished brass Sculptural design featuring two swans, one of which serves as the vase's opening Functions both as a vase and a decorative sculpture Elegant and timeless silhouette In excellent vintage condition with beautiful natural patina Style & Function: This is a hybrid object, both functional and sculptural, blending modern design with a classic animal motif. It would work beautifully in a variety of interiors — from mid-century modern to classical, bohemian, or eclectic spaces. It brings a subtle touch of luxury while remaining poetic and refined. Estimated Date: 1970s, France Keywords: brass swan vase...

Pair of antique (19th century) ewers in the Renaissance style, likely of French or Italian origin, measuring an impressive 22 3/4 by 10 by 6 inches and featuring extensive neoclassic...

Antique and fine and unusual patinated bronze and black marble urns. Set upon black marble circular bases the bulbous body beautifully reeded. The delicately fluted neck rising to a ...

A Pair of late 19th century French bronze and Griotte Uni marble ewers After Claude-Michel Clodion Each with fluted spreading neck fronted with a grotesque mask and a pair of entwined serpent handles, above the tapering body cast in high relief with satyrs, bacchante and putti with acanthus-cast lower section , on a square base. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...