Antique Republic Period 1912-1949 Chinese Porcelain Laughing Buddha

Lovely piece Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 19th Century Age: ca 1900 Original/Reproduction: Original Condition: Overall Condi...

Ca 1900 Fine Chinese Carved Wood Statue of a Laughing Buddha CHinese Antique. Additional information: Material: Wood / Bamboo Region of Origin: China Period: 19th century China Dyna...

Huge and beautifully carved statue of a Laughing Buddha. Nice artifact as home decoration. Condition Damage to 1 of the hands, part eye seems restuck (nicely done) and 1 frit/chi...

Lovely Chinese Statue. Made out of light wood. Additional information: Material: Wood Type: Statues Region of Origin: China Period: 20th century Condition: Overall Condition A (Very...

AMBIANIC presents Old Japanese Kutani Moriage Hotei Porcelain Statue Charming and Colorful Laughing Buddha figurine Hand embellished Stamped Japan 5.25 w x 6.75 h x 5 d Preowned orig...

Immerse yourself in the world of serenity and abundance with this exquisite Budai, the Laughing Buddha statue. Crafted from a uniquely patterned green material, this statue captures the spirit of Budai, a beloved figure in Buddhist culture known for his joyful demeanor and generous nature. Budai, often identified with the historical Chinese monk...

A China republic seated Buddha in porcelain. This is a beautiful antique devotive figure of a seated happy Buddha created in the China Republic back in the early 20th-century, circa...

Magot of exceptional size with tilting head, tongue and hands. Material made entirely of porcelain, with the exception of the "biscuit" hands. What are magots? The word magot comes from the French: barbary ape. They are male or female figures with oriental features. Usually the material used for the representation was painted or decorated porcelain. The subject depicted, in a good-natured and pleasant way, is Pu-Tai. The Chinese god of happiness and abundance. It is said that they brought good luck because, thanks to their head, tongue and jointed hands, they were able to warn earthquakes. They arrived in Europe between the end of the seventeenth century and the beginning of the eighteenth century thanks to the first connections between European merchants (Venetian in particular) and Chinese. In the following decades, they became a status symbol to be displayed in aristocratic homes. They found fertile ground in Europe thanks to the fashion for the exotic that developed in the Old Continent during the first decades of the eighteenth century. This fashion can be found in various objects of the time, not only in the Magot, see the toilet objects and lacquered furnishings decorated with the famous chinoiseries. In a few years, thanks to the increased demand, our factories also began working to satisfy this new form of collecting. From the German ones: Meissen, Dresden, Rudolstadt; to the French ones: Saint Claude Samson and Chantilly, to the Italian ones. True masterpieces were created throughout Northern Italy. The Piedmontese ones, made of papier-mâché, were then unusual. Authenticity: Completely intact to the naked eye and the infrared lamp...