Atelier Primavera, Pair of Lamps 1926-1929

Atelier Primavera, Vase 1926-1929 Atelier Primavera, Glazed Ceramic Vase By French Design House, Primavera, Atelier d’Art du Printemps, or the French department Store “Le Printemps” Embossed stamp, 'PRIMAVERA' and numéroté '17890' Model created 1926-1929 Bibliography : Primavera 1912-1972, Atelier d'Art du Printemps, A-R. Hardy, Faton ed., similarly shaped work p. 424 Primavera 1912-1972: Atelier d’Art du Printemps Primavera, “Spring” in Italian, was the first French department store to set up a creative workshop at the beginning of the 20th century. The adventure began in 1912 with two Decorative Arts enthusiasts: Pierre Laguionie (1884-1978), director of “Printemps” Department Store and lawyer René Guilleré (1878-1931), founder of the Salon des Artistes Dé-corateurs. Their objective is to promote the craft of Art in the daily life of the French people on the motto of the beautiful and the useful. Decorative objects and furniture (furniture, ceramics, glassware, carpets, up-holstery, wallpapers, etc.) must be beautiful, modern, of high quality and at affordable prices. The studio acquired young decorative artists such as Marcel Guillemard (1886-1932) and Louis Sognot (1892-1969) for furniture, and for works of art and ceramics by Madeleine Sougez (1891-1945)active from 1920 to 1928, Claude Lévy (1895-1942) from 1919 to 1929, Paule Petitjean (1895-1989) de 1913 à 1929, Hélèné Gatelet de 1924 à 1930, Marcelle Thiénot...

Maison Baguès, “Urn with Flowers”Lamp circa 1950 French Glass & Gilt Metal «Vase of Flowers» two-lights Table Lamp Designed as a both faces crystal vase which crystal leaves and flowers on a gilt-metal stem Since the 1860s, the renowned French luxury lighting atelier Maison Baguès has been pro-ducing pieces that are highly valued across the world. Each piece is hand assembled, using traditional techniques. Depending on the source you consult, French luxury lighting atelier Maison Baguès was launched in Paris in 1860, or in Auvergne in 1840. Still active today, the brand remains an exemplar of French design savoir-faire. Under founding metalsmith Nöel Baguès’s direction, Maison Baguès began as a specialist in liturgical bronze candlesticks, before late-19th-century technological advancement—and the 1880 managerial arrival of Nöel’s son, Eugène—saw the broadening of the atelier’s range to include bronze fixtures for newly-invented electrical lighting. Expansion drove the following decades, as Eugène, together with his own sons, Victor and Robert, continued to swell out the atelier’s Art Deco-tinged output. By the 1920’s, Maison Baguès’s collections included gilded iron fixtures—the iconic Parrots & Foliage hand-strung crystal chandeliers and complexly carved wall sconces —as well as metal gates, accent tables, and stair bannis-ters (which still adorn Parisian locales like the Porte Dorée and the Théâtre des Champs-Elysées). Delicate and detailed, Maison Baguès’s bespoke designs and metalwork attracted the social elite. In 1928, eminent bourgeoisie décorateur Armand-Albert Rateau famously used a se-lection of Maison Baguès accessories to furnish the townhouse interiors of haute couturist Jeanne Lanvin. Beyond Rateau, the atelier was commissioned by many chic interiors icons...

Pair of Art Deco vases by Charles Catteau converted to lamps. Charles Catteau trained at the National Ceramics School in Sèvres and followed a training course at the National Porcel...

Pair of Art Deco lampshades. Two-tone marble base supported by four feet, with two cup-shaped glass lampshades of different heights supported by a U-shaped structure. Composed of a r...