Bernard Rook Vase Waterscape Pottery Glazed White Brown Blue, 1960-1965

Robert Fournier (1915-2008), stoneware, tall flattened, bottle, circa 1960-1965 This bottle is from the same series as No.2008.658.18 in the Metropoli...

Striking, sculptural ceramic piece Technically complex to make a piece of this form The delicate, slender neck and thin, pie crust top seemingly float and balance with the circular...

A Cobridge stoneware cylindrical Cathedral pattern vase, designed by Samantha Johnson, copyright 2000. - The striking pillars and arches create spaciousness in the design. - The different tones of blue capture the texture and coolness of the stone interiors of these magnificent centres of worship, learning, art and community. - Rare pattern illustrating medieval architecture in a contemporary context The underside bears the Cobridge Stoneware stamp and is marked S Johnson, J.S. c.o.o. and S.J. c.c.c. 2000. Measures: Height 20.7cm Diameter (top) 8.5cm Diameter (base) 9cm Cobridge Stoneware was a short-lived pottery company born out of the fascination of the head of one of the leading potteries for a process that died with its inventor early in the 20th century. Cobridge Stoneware was in business 1998–2005. It was an Associate company of Moorcroft Pottery. The consequence of the business closing in down 2005. Is that the vases are now becoming very rare and demanding premium prices on the secondary market. Hugh Edwards, owner of Moorcroft, was keen to develop the ideas of William Howson Taylor - the man behind the closely guarded secrets of Ruskin Pottery. A new company and name was needed for the new range - Moorcroft is known and recognized universally by its distinctive appearance. Cobridge, an area of The Potteries, was featured in the Industrial Landscapes that were planned to furnish some of the designs for the new range. Its skyline was dominated in earlier years by bottle kilns, now mainly demolished, and Cobridge was chosen as the new name. The Cobridge Pottery was set up in a new imposing building a couple of hundred yards from the Moorcroft pottery and the official opening was in September 1998. The building was designed with future needs in mind. Only the outer walls are load-bearing, and the inner walls are built from blocks which can, if the need arises, be knocked down and re-built in another place. All the pieces were produced and hand painted here. The designs for Cobridge Stoneware Pottery vases were designed by well known ceramic designers. Many were also designing for Moorcroft Pottery. These designers include Philip Gibson, Kerry Goodwin, Nicola Slaney and Angela Davenport. Also Anita Harris...

H&C Heinrich, massive, white, porcelain, sculpted, floor standing, vase, circa 1960 - The massive height, white monochrome and sculpted surface create a rare, floor standing, cera...

This Mid-Century Modernist Ceramic Vase With Banded Detailing is a beautiful example of Post War European Ceramics, realized in Hódmezovasarhely Majolikagyár, Hungary circa 1960. With a Stunning textural finish composed in Cream White and Blackened Umber, the surface of each vase features Molten Geometric Motifs unique to each Vessel. The quality of the surface balances the materiality of the glaze with the scale and emotional expression of the line work, seamlessly integrating the intrinsic nature of ceramic with the touch and inspiration of the maker. This particular vase has horizontal lines creating bands of space delineating the Silhouette and profile...

François Marechal Realised in La Borne in 1988 Abstract white and brown stoneware ceramic vase Signed original perfect condition Height 26 cm Large 30 cm Depth 10 cm

Bernard Prigent - La Borne Elegant 20th mid-century design porcelain vase by the french artist. Blue and brown ceramic glazes colors Circa 1970 Original perfect condition...

This Mid-Century Modernist ceramic vase with banded detailing is a beautiful example of Post War European Ceramics, realized in Hódmezovasarhely Majolikagyár, Hungary Circa 1960. With a Stunning textural finish composed in Cream White and Blackened Umber, the surface of each vase features Molten Geometric Motifs unique to each Vessel. The quality of the surface balances the materiality of the glaze with the scale and emotional expression of the line work, seamlessly integrating the intrinsic nature of ceramic with the touch and inspiration of the maker. This particular vase has horizontal lines creating bands of space delineating the silhouette and profile...