Blue and White Albisola Savona Vase, Mid-20th Century

This stunning lidded urn might have once been found in a 19th century Italian apothecary. The front of the shaped urn body has the hand-painted phrase “C. Violaru”, which is the heavily abbreviated form of the Latin word for violet (violaceum). Up until the mid-1700’s, apothecaries would make syrups from violets and use it to treat kidney ailments. Above the Latin wording is a whimsical musical scene with a man blowing a horn leading a couple who is holding hands over rocky terrain lined with shrubbery. A large house and trees can be seen behind the trio with a pair of mountains in the distance. On the opposite side of the urn is a floral display with a bird perched on a rock. Beneath the bird is a geometric design, possibly a stylized sun with radiating beams of light. Both scenes are segmented by a pair of thin quarter round moldings that encircle the entire vase. Other hand-painted motifs include floral and foliate margents, geometric patterns, and Vitruvian waves that are infilled with horizontal fluting. The sides of the urn have a fish-scale background beneath two mustachioed mascarons. Both men have been styled in grotesque fashion, with a pair of spiraled horns emanating from their heads. In between the horns is a looping handle that is affixed to the body in similar tight spirals. The domed lid has three scrolled arms that merge in a geometric finial. The base color of the urn is white, with illustrations in a monochromatic cobalt oxide blue, reminiscent of Delft blue pottery...

Reminiscent of the color scheme of Delftware, this blue and white armorial albarello jar dates to the 1800s. The off white ground of the Italian jar is prominent on the verso side, w...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...

Hand-painted with a pastoral landscape beneath a coat of arms, this Italian albarello jar from the 1800s has a beautiful cobalt blue and white palette. The heraldic cartouche depicts...

A stylish vintage Scandinavian Studio Pottery vase of rounded bulbous shape attributed to Gunnar Nylund. The rounded stoneware vase has a c...

A very fine, large modern studio pottery vase. In an abstract form that vaguely resembles an arrowhead. From a Philadelphia estate in which several other estate pieces were linked to the Clay Studio in Philadelphia, Pennsylvania. Simply a great Memphis School style Modernist pottery vase...

A stylish vintage Italian art pottery bottle and stopper painted with horses by Guido Gambone (1909-1969). The tall stoneware bottle is decorated in a soft white slightly textured gl...

An antique Arts & Crafts Trenton ware art pottery floor vase offers blue glazed urn form vessel with maker stamp on base as photographed, 20th century Measures- 23" height x 15" dia...