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Crystal Vase by Anatole Riecke, Mid Century, La Coupole Restaurant Paris
$1,917.03
£1,427.10
€1,600
CA$2,625.85
A$2,920.52
CHF 1,525
MX$35,539.62
NOK 19,476.64
SEK 18,265.65
DKK 12,180.24
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About the Item
French Crystal vase by Anatole Riecke – 1944, La Coupole Restaurant, Paris.
This vase is a creation of the artist Anatole Riecke, of Russian origin, who lived in Paris at the beginning of the 20th century.
A. Riecke participated in the decoration of the famous Parisian restaurant “La Coupole”, symbol of Art Deco architecture, and where all the personalities of the artistic world met.
This piece is decorated with natural pigments on one side with an abstract architectural motif.
The base and edges of the vase are also decorated.
The vase shape is unusual with various thickness and curves, providing strength and elegance to this unique object.
Signed and dated 1944.
- Creator:A. Riecke (Artist)
- Dimensions:Height: 7.49 in (19 cm)Width: 6.82 in (17.3 cm)Depth: 3.31 in (8.4 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1944
- Condition:Wear consistent with age and use. In excellent condition.
- Seller Location:Crespières, FR
- Reference Number:1stDibs: LU7806237151282
A. Riecke
A. Riecke was a very talented cubist artist who lived and worked in Paris in the early 20th century. His name and date are etched in the glass as part of the decorative detail. Riecke was responsible for the Art Deco glass decor of the restaurant La Coupole.
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Why are there so many antiques in Argentina?
In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place.
1st World War took place between 1914 and 1918
2nd World War took place between 1939 and 1945
The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done.
Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them.
In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life.
Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war.
The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street.
With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace.
It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”.
Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies.
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During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture.
At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site).
In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca.
The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil.
Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair.
Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design.
The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses.
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The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions.
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