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Franz Xavier Bergmann, Sculptural Bud Vase, Vienna Bronze, circa 1900
About the Item
Dimensions
Height: 7.25 inches
Width: 5.25 inches
Depth: 4.5 inches.
Markings
Fully marked on the bottom with a "B" in an urn-shaped cartouche (for “Bergmann”), and “GESHUTZED” (German: “PROTECTED).
ABOUT
What distinguishes this unique bud vase from others is a perfect synthesis of a utilitarian object and a Fine sculpture. It is not only the amazing subtlety and taste of the author’s artist skills, but an extraordinary design and an absolutely outstanding original plot. Designed for a single flower only, it is nonetheless a very complex and multifaceted composition filled with warm humor and fantasy. Sitting on a vessel shaped as a gourd, clasping its goat legs with hooves and holding on to the neck with one hand in order not to fall of it; a playful and mischievous faun holds by the tail a fleeing lizard with the other hand.
FRANZ XAVIER BERGMANN (Austrian, 1861–1936) was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronze oriental, erotic and animal figures, the latter often humanized or whimsical, humorous objects d'art. Cold painted bronze refers to pieces cast in Vienna and then decorated in several layers with so-called dust paint; the expertise for the mix of this kind of paint has been lost. The color was not fired hence "cold painted". Mainly women working at home, a typical cottage industry, carried out the painting. Noted for his detailed and colorful work, Bergmann was signing his creations with either a "B" in an urn-shaped cartouche, or "Nam Greb" - for "Bergman" in reverse. These marks used to disguise his identity on the erotic works. Often, the sculptures are also marked with model number and stamped “GESHUTZED” (German for “PROTECTED”).
- Creator:Franz Bergmann (Maker)
- Dimensions:Height: 7.25 in (18.42 cm)Width: 5.25 in (13.34 cm)Depth: 4.5 in (11.43 cm)
- Style:Jugendstil (Of the Period)
- Materials and Techniques:Bronze,Patinated
- Place of Origin:
- Period:1900-1909
- Date of Manufacture:circa 1900
- Condition:Wear consistent with age and use. We make our best effort to provide a fair and descriptive condition report. Please examine photos attentively, as they are part of the description. Send us a message to request more details or discuss price.
- Seller Location:New York, NY
- Reference Number:1stDibs: LU2819333240892
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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MARKINGS
Noted for his detailed and colorful work, Bergman was signing his creations with either a "B" in an urn-shaped cartouche, or "Nam Greb" - for "Bergman" in reverse (these marks used to disguise his identity on the erotic works). They are also often inscribed ‘Geschutzt’, which refers to the model/design being ‘registered’ or copyrighted; or not marked at all, especially if the pieces are miniatures.
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