Japan, Set of Two Japanese Vases for Flower Arrangement, Ikebana

Spectacular Vintage Japanese Porcelain Vase with underglaze Gold Leaf This vintage Japanese porcelain vase is a true marvel, adorned ...

Born in 1953 in Seto, renowned for its long ceramic tradition, Shigekazu Nagae has established himself as one of the emblematic figures of contemporary abstract porcelain. Raised in a family of potters, he learned traditional ceramic techniques from a young age before transcending them with a resolutely modern approach. A graduate of the Seto ceramics school, he perfected his mastery of Ikomi, a porcelain casting technique, which he reinvented by integrating it into an innovative artistic approach. This vase, circa 1991, bears witness to this constant exploration of the material and aesthetic limits of porcelain. Its fluid form, enhanced by delicate undulations, seems to capture an eternal movement, evoking both the softness and tension of the molten material. These undulating patterns, forming a slight relief on the surface, already announce Nagae's current sculptural research, where forms, freed from all constraints, stretch and curve like waves frozen in time. Nagae's work, although deeply rooted in Japanese tradition, has won international recognition. His pieces are now included in the collections of some of the most prestigious museums in the world, such as the Metropolitan Museum of Art in New York, the Musée National de Céramique in Sèvres, and the Victoria & Albert Museum in London. In his most recent creations, Nagae continues his quest for the perfect form, transforming porcelain into a living, almost organic material. Each piece, although shaped by the chance of the firing process, is the result of a unique technical mastery and artistic vision, making Shigekazu Nagae an essential pioneer of contemporary ceramic art. Nagae uses casting, a technique traditionally associated with mass production. However, he diverts this process to shape forms, challenging the limits of the technique. As with this vase, his creations begin by casting rectangular pieces in slip, which are then left to dry and undergo an initial firing. The joints are then vitrified by the application of glaze, fusing the pieces into a single entity. He quickly progresses to abstract forms for which he uses the same technique and then suspends the slip sheets in his kiln using...

A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese. Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...

A pair of Chinese vintage Japanese Kutani style vases from the mid-20th century, with floral and butterfly decor. Created in China during the m...