Japanese Contemporary Blue Platinum Green Porcelain Vase by Master Artist, 3

Superb Japanese contemporary decorative porcelain vase, intricately gilded in platinum and hand painted, showcasing an auspicious phoenix in deep blue underglaze, dramatically extend...

Exquisite contemporary Japanese decorative porcelain vase, hand painted in blue an turquoise on the finest porcelain in a beautiful round shape, the signed work by highly acclaimed award-winning master porcelain artist in the Imari-Arita style. He is the recipient of numerous awards for his exceptional porcelain work and his unique gold and platinum work on porcelain. In 2016, the British Museum added a work by this artist to its collection of contemporary Japanese porcelain in the Imari-Arita polychrome enamel tradition. This stunning piece showcases a striking blue Phoenix...

Blue and green ceramic glazed vase depicting a woman on a horse in the style of Marcello Fantoni.

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...