Japanese Contemporary Blue Silver Etched Porcelain Vase by Master Artist, 2

Exquisite contemporary dimpled decorative porcelain vase in blue on platinum, a stunning piece hand painted by a highly acclaimed porcelain artist of Japan’s Imari-Arita region. The ...

Contemporary dimpled decorative porcelain vase, hand painted in blue on an elegantly shaped porcelain body against a striking platinum background, a signed piece by highly acclaimed ...

Contemporary Japanese decorative porcelain vase, hand painted in blue underglaze and platinum, a work of widely acclaimed master porcelain artist in traditional patterns of the Imari...

Contemporary Japanese decorative porcelain vase, hand painted in blue, purple and yellow set against a beautifully shaped ovoid porcelain body in platinum. This piece is by highly ac...

Caribbean blue glaze stoneware table vase by Nils Kahler for Hermann A. Kahler, Denmark. Ceramic. Signed. HAK - Niels - Denmark.

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A stunning vase attributed to Carstens and produced in West Germany in the 1970's. The Carstens Tonnieshof factory was located in Freden an der Leine (West Germany) after they had l...

Accolay Elegant freeform ceramic vase by Accolay Signed under the base Original perfect conditions Decorative blue and grey ceramic glazes colors Measures: Height 29cm...