Japanese Contemporary Green and Blue Porcelain Vase by Master Artist

Exceptional Japanese contemporary decorative porcelain vase, stunningly hand painted in yellow, green and blue, a signed piece by highly acclaimed master porcelain artist. The artist...

Japanese contemporary decorative porcelain vase, intricately hand painted in green on an attractive bottle shape body, a signed work by highly acclaimed master porcelain artist of th...

Exquisite large Japanese contemporary porcelain decorative vase, intricately hand painted in vivid blue, red and green on a beautifully shaped porcelain body, a signed piece by a mas...

Exceptional Japanese contemporary hand painted decorative porcelain vase, a masterpiece by highly acclaimed award-winning master porcelain artist of the Kutani region of Japan, featu...

Beautiful Japanese Moriage vase, late 19th century-early 20th century. Free shipping within the United States and Canada.

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

With lovely magnolia tree in bloom and finch on blue background. Signed: Fukugawa.   

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...