Japanese Green Art Glass Vase By Kuniaki Kuroki Heisei Period

Bronze vase by Nakajima Yasumi II (1905-1986), Showa period, Circa 1960-70. Patinated dark reddish brown, the vase has a slender waisted shape. The base cast with a seal-style signature, along with the inscribed Tomobako (Paulownia) wood storage box. In good condition, the vase shows some rubbing with handling and there is a small area of very minor marks. Please refer to the last photograph. The storage box is in very good condition. Born in Osaka, the eldest son of the well-known metal artist Nakajima Yasumi I, Yasumi II graduated from the Sendai National Crafting Academy in 1932. In 1933 he exhibited for the first time at the Export Crafts Exhibition, and went on to show his work several times outside Japan at the Grande Salon de Paris...

Murano clear glass hand sculptured cockerel by Licio Zanetti. Signed to base. Circa 1960-70. Very good condition with no chips or cracks. One small mark to note, as shown. The Zane...

Made in Italy, Murano, 1930s. Between 1932 and 1933 the Milanese architect Tomaso Buzzi, a spirited protagonist of the Milan “neoclassicist” movement, a friend and associate of Gio Ponti, and a partner of Il Labirinto, established a fruitful collaboration with the Venini glassware company, which would continue, albeit episodically, in later years. The architect’s creative contribution was evident both in the glass forms and in their innovative manufacturing technique. When Buzzi arrived at the Venini company in Murano, in 1932, he brought with him a remarkable cultural baggage and a thorough knowledge of ancient art, particularly the Etruscan period...

Made in Italy, Murano, 1930s. Between 1932 and 1933 the Milanese architect Tomaso Buzzi, a spirited protagonist of the Milan “neoclassicist” movement, a friend and associate of Gio Ponti, and a partner of Il Labirinto, established a fruitful collaboration with the Venini glassware company, which would continue, albeit episodically, in later years. The architect’s creative contribution was evident both in the glass forms and in their innovative manufacturing technique. When Buzzi arrived at the Venini company in Murano, in 1932, he brought with him a remarkable cultural baggage and a thorough knowledge of ancient art, particularly the Etruscan period...