Japanese Pink Green Platinum Porcelain Vase by Master Artist

Japanese contemporary dimpled decorative porcelain vase, hand painted in blue and pink on an elegant bottle shaped porcelain body against a stunning dimpled platinum background, a signed piece by widely acclaimed Japanese master porcelain artist in the Imari-Arita tradition. In 2016, the British Museum added a work by this artist to its collection of contemporary Japanese porcelain, a large lidded jar in the Imari-Arita polychrome enamel tradition. The artist is the recipient of numerous awards for his unique signature gold and platinum work on porcelain. This artist's profile is available upon request. This unique vase depicts elegant Japanese toad...

Exquisite contemporary Japanese dimpled decorative porcelain vase, hand painted in vivid blue, green and pink on an elegantly shaped porcelain body against a striking platinum background, a signed piece by highly acclaimed award-winning Japanese master porcelain artist in the Imari-Arita tradition. In 2016, the British Museum added a work by this artist to its collection of contemporary Japanese porcelain, a large lidded jar in the Imari-Arita polychrome enamel tradition. The artist is the recipient of numerous awards for his exceptional porcelain work and his unique signature gold and platinum work on porcelain. This elegant vase is the perfect canvas for a stunning floral pattern, set against a dimpled platinum background. The artist continues the platinum work to decorate the inside of this magnificent piece. The unfired porcelain shell is impressed with hundreds of dimples, to which gold and platinum are applied at the final stage of production. The dimples are designed to accentuate the luster of the precious metals by varying the thickness of application and allowing the cratering to convey a sense of depth. “Fired-on gold,” his signature style, highlights unique techniques for incorporating gold and platinum into the hand painting and multiple firing processes that yield a stunningly opulent look. The polychrome overglaze is fired at 800 degrees, followed by the application of gold and platinum that are fired at slightly lower temperature to maintain the luster of the precious metals. As a result, a single piece may undergo as many as five-ten firings. This artist's profile is available upon request. This stunning decorative porcelain vase showcases elegant Japanese toad...

Beautiful Japanese Moriage vase, late 19th century-early 20th century. Free shipping within the United States and Canada.

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...