Japanese Red Black Platinum Porcelain Vase by Master Artist

Exceptional Japanese contemporary gilded and intricately hand-painted porcelain vase in a beautiful shape, hand-painted in different hues of purple, a masterpiece by widely acclaimed...

Japanese contemporary decorative porcelain vase, dramatically hand painted in platinum, set against a beautifully shaped porcelain body in black, a signed piece belonging to the artist's signature fish collection by highly acclaimed master porcelain artist and recipient of numerous awards for his exceptional and extraordinary porcelain work and his unique signature gold and platinum work on porcelain. In 2016, the British Museum added a work by this award-winning artist to its collection of contemporary Japanese porcelain in the Imari-Arita polychrome enamel tradition. The artist's profile is available upon request. According to a Chinese legend...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...