Large Japanese Blue Green Gilded Porcelain Vase by Contemporary Master Artist

Exquisite large contemporary Japanese gilded porcelain decorative three-piece raised lidded jar, hand painted in red and green with generous gold details, depicting scalopped panels ...

Exquisite Japanese large contemporary decorative porcelain vase, intricately gilded and hand painted in striking shades of blue on a beautifully shaped porcelain body, a signed maste...

Exceptional Japanese contemporary museum quality decorative porcelain vase, a signed masterpiece by an award-winning master artist and the younger of a two-brother team of master por...

Exquisite Japanese contemporary ko-Imari (old Imari) style hand-painted decorative porcelain vase in green, red and blue , a signed masterpiece by widely acclaimed master porcelain a...

Very large ovoid shaped porcelain vase with a beautiful blue and white mountainscape design accentuated by a low relief details. The top of the vase ends in an elegant small neck. Y...

Made by the studio of the legendary Japanese imperial potter Makuzu Kozan (1842-1916), this is a large porcelain vase glazed in a soft yellow color with a subtle gradient, on top of ...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.