Old Paris Porcelain Vase of Henry Wadsworth Longfellow with Poetic Inscription

French Greek Revival Porcelain Apothecary jar, decorated front and back with two different vignettes, with Greek Key and medallion surrounds, ...

19th C. Sevres Louis XVI Style Ormolu Mounted Blanc Background Vase France, Circa 1890, Sevres Style A beautiful 19th-century Sevres Louis XVI style vase, made in France circa 1...

19th Century English Pâte-sur-pâte Allegorical Cache Pot, by George Jones  Blurred two-diamond-shaped English Registry mark, Gilder's # 5646 B A 19th-century English Pâte-sur-Pâte A...

Paul Milet for Sevres Red Flambe Ormolu Mounted Neoclassical Vase Designed by Paul Milet (1870-1950) Executed by Sevres Porcelain A beautiful Paul Milet for Sevres red flambe ormo...

A French manner pate sur pate, paste on paste porcelain vase. The vase is adorned with an image of a Neoclassical woman holding a chick in the nest in her hand in a forest landscape. The neck is adorned with a geometrical ornament. Numbered on the bottom. Pate sur pate is a French term meaning paste on paste. It is a method of porcelain decoration in which a relief design is created on an unfired, unglazed body, usually with a coloured body, by applying successive layers of usually white porcelain slip liquid clay with a brush. Antique and Vintage European Porcelain Vases...

A Paris porcelain urn with swan’s head handles; beautifully painted frolicking cupids to the front, and matte and burnished framed musical motifs to the back. Some rubbing consistent...

Antique Old Paris Porcelain Scenic Landscape Vase with Scroll Form Handles and Gilt Highlights, C1880 Measures - 14"h x 8"w x 5.25"

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...