Samuel Schellink for Rozenburg Dutch Jugendstil Porcelain Vase

A French Art Nouveau ceramic vase produced for Bing by George de Feure, Gérard, Dufraisseix and Abbott. The porcelain vase features floral decoration carried out in biscuit, blue enamel, pink and green, white zone. Signed "De Feure ANB Leuconoé." Circa 1901-1902. Pictured in: The Paris Salons 1895-1914, by Alastair Duncan, p. 15, 162. Art Nouveau, Symbolismus und Jugendstil in Franckreich, by Renate Ulmer, p. 141 cat. no. 127. Art and Decoration July 1907, p. 35. Le Modern style, by L.Dresser-Challié, p. 119. Art Nouveau Bing...

This cameo glass "Ombelle" vase by French Art Nouveau masters, Daum Nancy, features a rounded body of smooth, light candy pink glass decorated by two delicate umbel blooms in green c...

The highly complex composition in this "Nénuphars," or "Water Lilies," cameo glass vase, by Daum Nancy, features the titular flower in various stages of bloom, as well as in various ...

A Tiffany Studios New York Favrile glass decorated vase by Louis Comfort Tiffany. This vase, with a green background, is decorated with red and white swirling forms, circa 1901. P...

This large and substantial art pottery vase was made by the well known Rozenburg Porcelain factory of Holland in approximately 1900 in an Art Nouveau style. This eight sided vase is made of earthen ware and formed in a tapered eight sided vase standing almost eighteen inches in height. Each of the eight sides has been hand painted in muted earth tones with a stylized flowers and trees or landscape motif with a dark brown ground. The vase is clearly signed on the base for Rozenburg pottery...

Rozenburg earthenware vase, The Hague, The Netherlands, 1894 The depiction on the vase is a drapery in green with curved gold-yellow ribbons and floral de...

While there may have been no love lost for his early paintings, Eckmann had an endless fascination for the decorative potential of undulating water. The open spaces created by the me...

While there may have been no love lost for his early paintings, Eckmann had an endless fascination for the decorative potential of undulating water. The open spaces created by the me...