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Vitrix Hot Glass Studio Cobalt Blue and Gold Vase, New York Art Glass
$750
£573.41
€660.46
CA$1,050.98
A$1,173.32
CHF 614.80
MX$14,362.59
NOK 7,807.99
SEK 7,361.95
DKK 4,929.07
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About the Item
Sculptural Organic Modern vase was hand blown with thin layer of gold foil fused over cobalt blue glass. The abstract, graphic pattern is swirling around the curves of the vase; the whole structure is enclosed in thin layer of clear glass in sommerso technique, adding depth and definition to the piece. Minimal shape of the vase allows the bold flow of the pattern to take the center stage.
The vase is signed and dated in etching on the bottom; rare, hard to find example of vintage Vitrix glasswork would make a great gift to any studio glass or art collector or a design enthusiast. We are offering a bud vase from the same series by Vitrix in a separate listing.
Founded in 1979 by brothers Matthew and Thomas Buechner III in Corning's Market Street District, Vitrix Hot Glass Studio is regarded among America's prominent contemporary glass studios.
Thomas Buechner (1926-2010) attended Princeton University, the Art Students League in New York and the Ecole des Beaux Arts in Paris. Buechner was appointed Director of the Corning Museum of Glass in 1950 after his tenure as an exhibition designer at the Metropolitan Museum of Art. Buechner established the Museum's academic journals and curated the groundbreaking exhibition, Glass 59, that was the first to explore international works in contemporary glass. The first Director of The Corning Museum of Glass (1950-1960) and then Director of the Brooklyn Museum (1960-1971), Buechner simultaneously worked as an illustrator for the Chicago Tribune’s and the Washington Post’s “Book World”. Since then, he has been an independent artist, and a mentor to many aspiring artists in the community. As author and lecturer, Buechner is known to glass scholars, artists and collectors. He wrote the glass section for the Encyclopedia Britannica and founded both the Journal of Glass Studies and the New Glass Review. His art has been acquired by museums including the Metropolitan Museum of Art and the Smithsonian’s National Museum of American Art. He taught in Rome and Germany, Corning and Elmira.
Thomas Kelly is an established glass artist working in Vitrix Hot Glass studio in Corning, New York; he is the current owner of Vitrix Hot Glass Studio. He started in the glass studios of Alex Brand and Thomas Buechner where he had the opportunity to learn from two distinctly different artists, each having their own unique talents; Kelly worked for 10 years with Thomas Buechner III at Vitrix Hot Glass Studio, developing his glass working skills and aesthetic sensitivity. At Vitrix, visiting artists such as Lino Tagliapietra and Fritz Dreisbach educated and influenced him. When Buechner made the decision to leave glass to grow in another direction, Kelly was ready to take over ownership of Vitrix. Kelly’s work has been published and exhibited internationally and can be found in fine stores and galleries across the United States and in Canada, Europe, and Japan. Museum collections include the Corning Museum of Glass, Victoria and Albert Museum, Museum fur Kunst and Gewerbe, High Museum of Art, and others.
- Creator:Thomas Kelly (Artist),Thomas Buechner III (Artist)
- Dimensions:Height: 7.75 in (19.69 cm)Diameter: 5.78 in (14.69 cm)
- Style:Organic Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1996
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421144775392
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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