Antique 1747 Mary Campbell of Scotland George II Needlework Sampler

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning, 1787 dated needlework sampler signed by Elizabeth Clark when she was nine years old I have four other versions of these samplers for sale, they are dated 1830, 1747, 1879 and 1888, they are listed under my other items This really is a piece of history, pure folk art, its super decorative and highly collectable, it depicts the 18th century poem The Sick Man and The Angel by John Grey...

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning, 1828 dated needlework sampler made during the reign of King George IV I have three ot...

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning, 1806 dated needlework sampler signed by Mary Hart depicting a...

We are delighted to offer for sale this rather stunning, 1789 dated needlework sampler signed by Elizabeth Mason and dated 1789 I have three other versions of these samplers for ...

Georgian Sampler, 1799, by Anne Strong. The sampler is worked in fine wool and silk on a linen ground, in cross stitch throughout. Unusual curly borde...

A finely worked in silk on linen ground, central panel embroidered in black with verses from a 17th century hymn by Joseph Addison. The identity of the maker, now partly unreadable, “F.... M.... work.. aged 12 1814” All text surrounded by stylized birds, flowers in a basket, crosses, vases and trees. Jardinière with flowers at the heading, flanked on each side with large butteflies and cherubs carrying the crowns. In fair condition, some thread deterioration, holes, fading. Mahogany frame...

William IV Sampler, 1834, By Mary Thornhill. The sampler is worked in silk threads on a linen ground. Meandering strawberry border. Colours green, gold, silver, pink, brown and blue....

1833 Sampler made by Ann Crehlow(?) in antique pine frame, English. A huge, William IV period pictoral sampler with a hymn of praise called: The Beauties of Nature, Gratitude to the Supreme Being, Nature's Call to Gratitude. It dates from the late 18th century, reading "How cheerful along the gay mead, the daisies and cowslips appear". The whole is filled with typical sampler iconography. Stains, small losses. Georgian stone townhouse at base. Doves with olive branches...