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A magnificent Dutch marquetry cabinet on stand, by Jan van Mekeren (1658-1733)

Name: A magnificent Dutch marquetry cabinet on stand, by Jan van Mekeren (1658-1733)
Brand: Jan van Mekeren
Rating: 5 (8 reviews)

About the Item

A magnificent Dutch marquetry cabinet on stand, by Jan van Mekeren (1658-1733) possibly made for William III and Mary of England Amsterdam, circa 1687 The oak cabinet is decorated with 'arabesque' or 'seaweed' marquetry in Turkish walnut (Juglans regia) on a holly (Ilex aquifolium) font, surrounded by a kingwood (Dalbergia cearensis) border. The top has a modest rectangular cornice of a frieze over two doors revealing the interior fitted with four shelves and five drawers. The inside of the doors and the drawer fronts are veneered with plain cedar (probably Cedrus atlantica). The stand has a frieze drawer and is raised on six S-shaped legs, joined by shaped stretchers and raised on turned ball feet. The entire cabinet, from the cornice to the stretchers, is covered in marquetry. H. 209 x W. 178 x D. 67 cm Provenance: King William & Queen Mary of England or their very close circle, thence by descent (possibly) Noble collection, England Literature: Monique Riccardi-Cubitt, Art of the Cabinet, Thames & Hudson, London, 1992, ill. p. 96 (as English, c. 1695) The stellar feature of this cabinet is the fine marquetry, which shows scrolling vines, plants, and fruits, clearly recognisable but abstract. The latter’s design was not chosen randomly, for it is filled with symbolism specific to the marriage between William of Orange and Mary Stuart. The letters M and W can be found above each other on each side of the cabinet, with vines and leaves forming a heart in between, praised on each side by a narcissus (a spring flower symbol of new beginnings), placed within a giant thistle. W is in the centre of the cartouche, but M is not. When the M is noticed, one will also see the thistle. Further, the well-known symbols for the House of Orange, recognisable by many in the Netherlands, have prominent places on the cabinet, such as the Appeltjes van Oranje, which are oranges and their blossom (recognisable because it is the only plant bearing fruit and blossom at the same time); roses for England, olive branches, a symbol of peace and stability (a result of the alliance between England and Holland); thistles (the symbol of the House of - Mary - Stuart, and Scotland); mistletoe, growing in pairs of branches and leaves (stands for being a couple) and is evergreen (for eternity); hazelnuts for fertility; and sunflowers for the transitoriness of/ and kinship. Today we can’t comprehend that 17th-century people would immediately understand the symbolism. However, sources prove that myths and symbolism were part of education and shared knowledge, at least amongst the literate and educated upper class. With the intricate decoration, a cabinet like this would be a good enough conversation piece for William’s and Mary’s status. After all, a generic one with just a geometric motif was for ordinary people. On the other hand, a cabinet with custom-made iconography would be most entertaining to guests in a candle-lit drawing room. You can imagine a company chatting about the different flowers and their meanings. Another argument for the symbolism being not hidden is a bureau in the Royal Collection Trust, which Gerrit Jensen delivered (in whose studio Van Mekeren worked) in 1690 to William and Mary. The decoration holds the same flora and symbolism as this cabinet, the only difference being a clear monogram with a crown above. The symbolic plants and flowers are just as present on the cabinet, but with a monogram, showing that they were not hidden on both pieces. There is also a gueridon known, not documented, but by repute in the United Kingdom, with the same decoration. All these symbols, together with the lion and eagles, are seen on the portrait of the young William III by Jan Davidsz de Heem and Jan Vermeer van Utrecht and on an engraving by Pieter van Gunst after Jean Henri Brandon and the designer seems to have used this image for the decoration of this cabinet. Even more plants with meanings can be identified and combinations intended to be made, which could reveal even more spectator-specific intentions. Unfortunately, much of the meaning of the 17th century and earlier symbols has been lost or has yet to be studied. Jan van Mekeren had six children with his wife, Maria. He had intended for his first son Fikko, born in 1693, to succeed him as a cabinetmaker, but unfortunately, Fikko died in 1731. After Jan’s death in 1733, the wood trade was continued by his daughter-in-law, but there was no one able to continue his cabinet-making business. Despite a 1624 regulation stipulating members of the Amsterdam cabinetmaker’s guild who offered their wares for sale in the guildís shop, furniture makers in 17th and 18th century Holland hardly marked their work. However, thanks to the inventory after Jan’s death, there is a good list of his workpieces with thorough descriptions, prices, and the names of his clientele. The estate included many finished and unfinished pieces of furniture, an extensive collection of cabinet woods, and, most interesting, a long list of claims with names of the debtors and the amounts due. Most debtors were well-known Amsterdam patricians. This cabinet is officially the eighth documented cabinet entirely attributed to, and thus by, Jan van Mekeren. The cabinet’s construction is nearly identical to that of the Van Mekeren Cabinet already in our collection, but also to that of the cabinet in the Rijksmuseum. The construction of the doors is still original and identical to that of the Rijksmuseum. Furthermore, some parts of the marquetry design on the doors and the central marquetry at the front and sides of the frieze are the same as the design on other cabinets by Van Mekeren.

Creator:
Jan van Mekeren (Cabinetmaker)
Dimensions:
Height: 82.29 in (209 cm)Width: 70.08 in (178 cm)Depth: 26.38 in (67 cm)
Materials and Techniques:
Holly,Kingwood,Oak,Walnut
Place of Origin:
Netherlands
Period:
17th Century
Date of Manufacture:
1687
Condition:
Repaired: some veneer losses filled in. Wear consistent with age and use.
Seller Location:
Amsterdam, NL
Reference Number:
1stDibs: LU5458233730122

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