Pre-Columbian Inca Mantle with 16 Figures, Peru, 1476-1534 AD

Pre-Columbian ornamental banner with fringes composed of warriors/divinities holding figures in their hands, surrounded by geometric frets. Two-headed birds in alternating colors decorate the top and bottom of the banner. This one-of-a-kind tapestry has preserved its vibrant original colors and fibres. Professionally cleaned. Provenance: Private European Collection Textiles from elite Chimu tombs include elaborate gauzes, embroidery, painted plain weave and tapestry, and three-dimensional fibre sculptures. Among others, shades of yellow and brown, scarlet, white, lavender-blue and olive green were the colors used. Birds and a deity wearing a crescent-like headdress have been the most popular decorative motifs. Many Chimu textiles...

Exceptional Banner of Pageantry with Multicolor Tapisserie Squares with 8 Weave Ornaments in Relief. On the inferior part the ornaments float with the wind. (2 are missing) Very good...

Two pre-Columbian textile fragments presented in wood frames. Handwoven in colored yarn, possibly camelid fibers, these pieces were from Inca period circa 15-16th century. One panel is a classic Inca weave that was likely part of a mantle or cape. It has a multi-panel design with eight-point stars alternating with stylized animal and homomorphic figures, steps-design and abstract scrolling patterns. The second one features a multiple stripe design also with eight-point star and a mysterious figure sandwiched between stripes of geometrical patterns and plain borders. Presenting in a thin gilt wood and a carved dark wood frame...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...