A Sardinian Figure of a Warrior

Dagger L: 27.8 cm, Luniform bronze, possibly a belt buckle L: 10.8 cm, Shield-shaped bronze with a point Diam: 6.5 cm, Pommel Diam: 3.7 cm, Violin-bow brooch L: 17.5 cm, P-Shape...

A bronze helmet made of a single hammered bronze plate in the characteristic shape of the military Corinthian type helmets of the end of the 7th century and the beginning of the 6th ...

A gilded wooden head of an ibis. The bird’s head starts with its long thin neck and extends into the large pointed beak, forming a near-horizontal silhouette. The ridges down the beak and the circular eyes are deeply incised. The ibis was sacred to the Egyptian god Thoth, god of wisdom and writing, who was often depicted with the head of an ibis. Representations of the ibis in copper alloy are some of the most numerous sacred animal statuettes, alongside the cat, falcon, and Apis bull...

This impressive bust is depicted with head turned slightly to the right and gaze lifted. His eyes are articulated, with the pupils indicated with a drill, giving the face a striking realism. The shoulders are draped with a cloak. Straight brows sit beneath a mass of thickly curling hair, which continues to a full beard. It is worked with great skill, evident in the heavy drill work articulating and highlighting the voluminous curls, and the highly polished surfaces, giving the appearance of soft skin. The contrast between these textures gives a chiaroscuro affect which is one of the main traits of the best Antonine busts. Roman marble portraits reached their apotheosis of craftmanship and technique under the Antonine emperors, as is evidenced in this masterful bust. The evolution of the style may be traced back to the emperor Hadrian, who was the first emperor to wear a full beard. The articulation of pupils and iris appears on busts of his lover Antinous, a novelty which continued in later Antonine portraits, such as this one. The features of this bust point to a possible identification of Emperor Lucius Verus...

Glazed ceramic bowl with a convex wall and everted rim. With a cobalt blue inscription in the centre which reads, “baraka li-sahibihi” (blessing to its owner). Ceramics such as t...

Chimu Painting with 3 Warriors. Part of a larger painting with 3 rectangles representing warriors with the characteristic Chimu Headdress. This one-of-a-kind painting is mounted and ...

Pre-Columbian ornamental banner with fringes composed of warriors/divinities holding figures in their hands, surrounded by geometric frets. Two-headed birds in alternating colors decorate the top and bottom of the banner. This one-of-a-kind tapestry has preserved its vibrant original colors and fibres. Professionally cleaned. Provenance: Private European Collection Textiles from elite Chimu tombs include elaborate gauzes, embroidery, painted plain weave and tapestry, and three-dimensional fibre sculptures. Among others, shades of yellow and brown, scarlet, white, lavender-blue and olive green were the colors used. Birds and a deity wearing a crescent-like headdress have been the most popular decorative motifs. Many Chimu textiles...

Pre-Columbian Moche Warrior Vessel – Moche V Period, 600–700 AD, Peru A striking and rare example of Moche ceramic artistry, this Pre-Columbian greyware warrior vessel dates from th...

An Inca Peru pre-hispanic black ware huaco vessel, from Lambayeque. Beautiful piece, created under the Inca culture between the 750 / 1375 AD at the Sican...