Harrison Mcintosh Signed Mid-Century Studio Pottery Bowl with Original Label

An exquisitely formed and deeply blue glazed set of six ceramic sake/ liqueur cups by renowned American West Coast Californian master ceramist Harrison McIntosh who was famed for his Mid-Century Modern designed ceramics. Mcintosh's works have been exhibited in such acclaimed venues as the Smithsonian in the United States the Louvre in France. Over his more than 60-year career, McIntosh had some 43 solo exhibitions from Los Angeles, New York, Belgium, Cannes, France to Japan. His work can be found in numerous collections and museums throughout the world including: Musée des Arts Décoratifs, Paris, France The National Museum of Art, Tokyo, Japan Museum of Fine Arts, Boston, Massachusetts Mingei International Museum, San Diego, California The Huntington Library, San Marino, California American Museum of Ceramic Art, Pomona, California Alfred Ceramic Art Museum, Alfred University, Alfred, New York American Museum of Ceramic Art, Pomona, California Arizona State University Art Museum, Tempe, Arizona Belgian...

A gorgeously crafted, beautifully yellow glazed, Mid-Century Modern pedestal bowl by California master ceramist Rupert Deese who worked closely with pottery legend Harrison Mcintosh. Signed with Deese's cipher/ stamp on the base as well as the original label. Would be a great addition to any collectors of Deese's work or Mid-Century Modern ceramics/pottery collection or a very eye-catching stand-alone accent piece in about any setting. Deese's work can be found in numerous collections and museums including: Museum of fine Arts, Boston, Boston Everson Museum, Syracuse, New York Henry Art Gallery, University of Washington, Seattle Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles Maloof Foundation, Alta Loma, California Millard Sheets Collection, Gualala, California Mingei International Museum, San Diego Nora Eccles Harrison Museum of Art, Logan, Utah Renwick Gallery, Smithsonian Institution, Washington, DC Richard & Alice Petterson Museum, Claremont, California Roger Corsaw...

A stunning Canadian studio pottery miniature bowl decorated in yellow glazes with an associated pottery stand by Lane Gordon Thorlaksson (Canadian, 1937-2009) dated 1976. Lane Gordon Thorlaksson was born in 1937 in Winnipeg, Manitoba and moved to Vancouver as a child. In his twenties, he represented Canada in the 1959 Chicago Pan-American Games, running alongside Henry 'Harry' Winston Jerome in both the 100 yard and 220-yard dash. Following this, he attended San Jose University of California and in 1966 received a BFA in Ceramics. Working with clay was Thorlaksson’s passion. He was fascinated with Asian ceramics, in particular the Song dynasty Chinese pot forms and glazes. In 1985, the Mayor of Vancouver, Mike Harcourt, visited China on a goodwill mission for the twinning of Vancouver with Guangzhou China. As gifts, he took with him several of Thorlaksson’s ceramics and presented them to Cao Yun-ping, Secretary-General of the People's Municipal Government of Guangzhou. The pieces were well received and local Chinese potters were interested to learn about his glazing techniques. In 1987, Thorlaksson was invited to visit China’s Guangzhou University to exhibit more of his work. He was aided in this exchange by Joanne Mah, the Director of Intercultural Training and Educational Consultants (ITEC), who had worked with the Harcourt exchange. In 1988, she and her husband sponsored a pre-gallery showing of Thorlaksson’s ceramics at the ITEC’s Hong Kong office, prior to an exhibition at Alvin Gallery in Hong Kong. Thorlaksson was celebrated and introduced to academics and the media, including the head of ceramics at the Guangzhou Institute of Fine Arts. Local Chinese potters were eager to learn about his firing techniques, which used multiple firings to create special glaze characteristics. They were also intrigued to understand how he designed his own stands as an integrated part of his presentation. Unlike Asian potters who used wooden stands, Thorlaksson produced his stands in clay, matching each stand in aesthetic and tone to its pot. This two-part process elevated his pieces to sculpture. He believed that ceramics should be viewed as fine art and not craft. He was inspired by the female form and was quoted as saying 'Most potters make pots; I make parts of people'. The bowl is of wide squat rounded form with a fold over rim and is decorated in pale yellow glazes over a brown ground and stands on a narrow round unglazed foot. The design is probably based and inspired by a Chinese brush washer...

A truly wonderful design piece, and one of my favourite pieces, is this hand-built wood fired three cornered triangular studio pottery dish of scul...