Large Hand-Painted American Eagle Clutching Patriotic Banner, Mid-20th Century

Presented is an original “God Bless America” banner, dating to World War I. The pointed gonfalon banner is patriotically printed in red and blue. “God Bless America” is printed along the top and bottom of the banner in large blue letters. A Union shield sits at center, with two crossing springs of laurel and a scrolling banner that reads “Equality, Liberty, Justice” in blue below. The sides of the banner feature a unique 13-star flag border. The banner is displayed hanging on its original wooden dowel and accented by two long tassels. This banner would have been proudly displayed in a window during WWI, similar to how service flags...

Presented is a rare Centennial patriotic flag banner, dating to 1876. The flag’s brilliant blue canton is spectacular, with 81 five-pointed, rayed stars, arranged to read “1776” and “1876.” The flag’s design is completed with thirteen alternating red and white stripes. The flag is a three-piece, treadle-sewn sewn construction, printed on a thin wool and cotton blend. Along the edge, there is a narrow, treadle-sewn sleeve made of cotton tape. In the lead up to the nation’s Centennial in 1876, flag makers and individuals looked to the past for designs to produce as part of the country’s many celebrations. Popular interpretation of the stars and stripes undoubtedly reached its climax of variety and originality at the time of our Nation’s first Centennial. Since no design restrictions were placed on flagmaker’s imaginations and no strict distinctions were drawn between official and unofficial star counts, it is no surprise that, on the occasion of the Centennial, creativity in flag design was not the exception, but the rule. The cantons from this period presented an array of geometric abstractions. Great star patterns, referred to as the “starry flower of Liberty” by Oliver Wendell Holmes, that were popular from 1818 and on, resurfaced in Centennial flags...

Presented is an original patriotic sash from the late 19th century, featuring 13 stars against a bright blue field. This sash features appliqued silver stars on a blue canton, red an...

Presented is a U.S. shield patriotic printed paddle fan from 1918. The blue chief is printed with thirteen white stars. Below, thirteen vertical pales are printed in alternating red ...

HAND-PAINTED PATRIOTIC BANNER WITH THE SEAL OF THE STATE OF OREGON AND GREAT FOLK QUALITIES, 1861-1876: Swallowtail format, patriotic vertical banne...

Fantastic large brass sculpture of an eagle with the wings spread on a tree branch. This full body eagle and branch has a wonderful worn patina....

A rather odd hand painted political black leather Gladstone holdall, believed to be a graduate college bag. American in origins, second quarter of the 20th century in age 3...

HAND-PAINTED 19TH CENTURY BANNER WITH AN 1867 VERSION OF THE SEAL OF THE STATE OF ILLINOIS, PROPOSED IN THAT YEAR BY THE SECRETARY OF STATE, BUT IN A VARIATION NEVER FORMALLY ADOPTED Banner with the Illinois State Seal, in a rare variation of the design, never adopted. In 1867 Illinois Secretary of State Sharon Tyndale proposed that the phrases in the state motto be reversed. In the wake of the Civil War, (which ended in 1865,) Tyndale suggested that the verbiage be changed from "State Sovereignty--National Union" to "National Union--State Sovereignty,” which made sense given the recent secession of the Southern States, which placed their own interests first. Illinois' own Abraham Lincoln had worked hard to preserve national interests, echoed here in the altering of the language. Though Tyndale’s suggestion was rejected, he was nonetheless charged with creating a new design, which he did and was soon adopted. This displayed the dates of "1818," when Illinois became a state, and "1868," when the seal was officially changed. Interestingly enough, Tyndale did manage to send a message in the new version by turning the word “sovereignty” upside-down , with the surmised explanation that this fit accordingly with the orientation / position of the streamer. The banner is beautifully hand-painted on muslin and retains its original staff. The shape is beautifully scalloped at the bottom edge, which is painted to look as if there is an applied fringe. Most of the elements are congruent with the 1868 version, but there are various differences. Set within a shield-shaped medallion—usually circular—is the expected eagle in a side view, spread wing pose with beak uplifted. The eagle is supposed to be perched upon a rock with one talon, while gripping a Federal shield in the other. Here there is no rock and both talons grip the shield, which displays 13 stars. Note the date of "1867" and Tyndale's preferred order of the wording on the billowing ribbon in the eagle's beak. The foreground of the official design is all grass. Here there are olive branches—a peacetime reference appropriate for a country recovering from war—on a grassy area, set upon a sandy shore before Lake Michigan, with a rising sun on the horizon. Mounting: The banner was mounted and framed within our own conservation department, which is led by masters degree trained staff. We take great care in the mounting and presentation of flags and have preserved thousands of examples; more than anyone worldwide. The background is 100% cotton twill, black in color. The mount was placed in a black-painted, hand-gilded and distressed Italian molding. A shadowbox was created to accommodate the staff. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Banner - 49" x 56.5" Frame - 67.75" x 59.25" About Jeff R. Bridgman Antiques, Inc.: As an advisor to top museums and collectors alike, Jeff Bridgman is the world's leading expert and source for antique American flags and political textiles...