French Burnt Orange Oil on Canvas Painting by Pierre Coquet, 1960s

An original oil on canvas painting by French artist Boggio, signed and dated 1971 in the lower right corner. This richly textured work explores geometric abstraction and cubist influ...

An acrylic painting on wood by Italian artist Alessandro Bonato, 1960s. This richly textured painting features hues of off-white, taupe, and soft aqua in an abstract geometric design...

A geometric oil on canvas painting by American artist Clara Shainess (1896-1987). This piece was acquired from a private collection in New York and features vibrant blue, purple and ...

An acrylic painting on wood by Italian artist Alessandro Bonato, 1970s. This richly textured painting features hues of sky blue, white, and salmon in an abstract geometric design. Un...

This is a large oil-on-canvas artwork with a distinctly mid-century French aesthetic. The composition emphasises earthy tones, primarily muted greys with subtle textures that create ...

Jean Da Milano (1928-2017), painting, Creased paper, Signed lower right, circa 2000, France. Measures: Height 115 cm, Width 90 cm Jean Da Milano is an abstract painter from Nice who was cradled by the rich breeding ground of the School of Nice and its artists. Active from the 1960s to the 2008s, his works were forgotten and rediscovered by the HARTER Gallery, which today highlights his touch. According to Agnès Roux, Honorary Secretary for Culture, “Jean Da Milano is one of those modest painters who knew how to develop abstract painting alongside his contemporaries. In an infinite world, the Kinetic object on an astral background gradually transforms into a pictorial relief, where the painting falsely becomes painting and invisibly paper. The humility of its formats does not give the work the fullness it deserves. But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which begins with an almost cosmic painting in the 70s, then what we could qualify as “implosions” in the 80s and finally, a real research on paper and pictorial relief. in the 2000s. According to Georges Braque "Everyone is a creator, the viewer is himself a creator, it is the way of seeing that gives life to the object. " Personal exhibitions: - 1992: Golden Gallery Nice - 1988: Acropolis Nice - 1982: Municipal Gallery Renoir Nice - 1977: Municipal Museum Saint-Paul-de-Vence Collective exhibitions: - 1992: Golden Gallery - 1991: Golden Gallery - 1990: Golden Gallery - Art Jonction - 1989: Nice university center - 1987: Acropolis - 1985: Chapel of Mercy Vallauris - 1984: CIAC Paris and Chapelle des Pénitents in Péone - 1983: Art Expo Dallas Texas and Art Expo New York - 1980: Galerie Waterlot Nice - 1971: Necrolium Nice - 1970: Maison de la Culture Magnan Nice and Musée de la Salle Marine Nice - 1969: Galerie Le Nombre d´Or Nice - 1968: Musée de la Salle Marine Nice and Galerie Salmon Nice - 1966: Paul Langevin Biot school group - 1965: Chapelle St Esprit...

This is a very decorative painting with attractive colours and an interesting use of brush strokes. Signed on the bottom right hand side of the artwork and also on verso, with 'per...

Large oil on canvas painting by Sergio Hernandez from his " Casitas" series from the 1980s.  Naive yet sophisticated style depicting stylized native houses found in the countryside t...