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Vintage Gold Frame Hans Volkmann Art Print Little Princess Girl Lord Seaham Boy
$750
£566.91
€651.48
CA$1,044.37
A$1,161.82
CHF 609.04
MX$14,197.15
NOK 7,755.37
SEK 7,300.61
DKK 4,863.03
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About the Item
Vintage Gold Frame Hans Volkmann Art Print Little Princess Girl and Lord Seaham Boy. Item features prints of young boy and young girl in what appears to be an English setting, very nice antique pair, great style and form. Very nice gold gilt ornate frames. H. Volkmann 58 to right corner. Circa Early 20th Century. Measurements: 31" H x 26.5" W x 3.25" D.
- Dimensions:Height: 31 in (78.74 cm)Width: 26.5 in (67.31 cm)Depth: 3.25 in (8.26 cm)
- Style:Victorian (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Early 20th Century
- Condition:Wear consistent with age and use. Very good antique condition being structurally sound with age appropriate signs of normal use as pictured. Overall very nice.
- Seller Location:Philadelphia, PA
- Reference Number:Seller: 1870135885061stDibs: LU934144463842
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Beautiful Framed 19TH C Painting on Porcelain Woman Children Charles Chaplin
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Charles Joshua Chaplin (8 June 1825 – 30 January 1891) was a French painter and printmaker who painted both landscapes and portraits. He was an accomplished artist mastering different techniques such as pastels, lithography, watercolor, chalk, oil painting and etching. He was best known for his elegant portraits of young women.
Charles Joshua Chaplin was born on 8 June 1825 in Les Andelys, Eure, France. His mother, Olympia Adelle Moisy, was French, whereas his father, John Chaplin, was an art broker from England. Charles Chaplin spent his whole life in France, becoming a naturalized citizen in 1886.[1][2] He studied at the École des Beaux-Arts in Paris from 1840, and he took private lessons in the studio of Michel Martin Drolling, whose apprentices included Paul Baudry, Jules Breton and Jean-Jacques Henner. Later he also taught at the École des Beaux-Arts.[2]
In 1845 he entered the Salon de Paris, the official art exhibition of the Académie des Beaux-Arts, as a portrait and landscape painter with the painting Portrait of the Artist's Mother. Chaplin conducted art classes specifically for women at his studio. The American artist Mary Cassatt, the French artist Louise Abbéma and the English artist Louise Jopling were among Chaplin's students. His son Arthur Chaplin was also a painter. Chaplin died on 30 January 1891 in Paris as a wealthy man and is buried in the Père Lachaise Cemetery.[3][4]
Chaplin made his debut at the Salon with portraits, but he also painted landscapes, particularly the countryside of Auvergne. His early works, from 1848 to 1851, were painted in a more realistic style, and are characterized by an interest in realism, which was a style that had been reestablished in France by the French Second Republic, that had the motto Liberté, égalité, fraternité, and was ruled for three years by the republican government of France from the 1848 Revolution until the 1851 coup by Louis-Napoléon Bonaparte. Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution.[5] From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, seeking to depict real and characteristic contemporary individuals and situations with truth and accuracy.[6]
Chaplin painted many works in his early days, including floral studies that were displayed at the Salon de las Flores. Later, in the late 1850s, he abandoned naturalism, his earlier style, exchanging it for a more graceful, elegant and supple technique that brought him a certain notoriety in France during his time as a portrait painter; as such he embraced the idyllic and voluptuous and fashionable style of the prominent French painter, François Boucher (1703–1770).[7]
He also embraced the tradition of the great English portraitists. He developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work.[2]
Later work
Gradually the muddy colours used by Chaplin transformed into white, grey and pink, depicting his models with an opalescent, mother-of-pearl complexion by applying a subtle palette of rosy flesh tones and light greys. After painting portraits and trying his skills on ornamental painting, Chaplin took up genre painting in the 1850s. His favourite subjects are the feminine grace of a young woman’s everyday life. He portrays women in several poses: resting; grooming; singing; and reading. He captures them with lightness and carelessness and accentuates the decorative elements of the composition.[2]
Empress Eugénie, the wife of Napoleon III and an admirer of the "Pompadour style", rapidly fell under the enchantment of the painter's neo-Rococo works. Chaplin was among Napoleon III and Empress Eugénie’s favourite court artists. In 1859, when his portrait of Aurora was banned by the judges of the Salon as "too erotically suggestive", Napoléon III defended Chaplin and overturned the disqualification order.[8] He was similarly valued as an interior decorator and was appointed to remodel the decor of Empress Eugénie's rooms.[8]
His sensual portraits of women and young girls, often with models posed erotically in hazy surroundings and frequently wearing transparent clothing, attracted the interest of the high society and aristocracy of Paris during the French Third Republic (1870–1940) guaranteeing his success and wealth. He was one of the most popular painters of his time, but nowadays his work is almost unknown, in spite of the fact that his works hang in many major museums around the world.[2]
He employed his Rococo style for his mythological scenes and genre scenes paintings. His genre pictures formed a significant part of his work. In 1861, working as a decorative painter. Chaplin painted the doors and several glass panels above them of the Salon des Fleurs in the Tuileries Palace.[3] The Palace was gutted by fire in 1871 and its ruins swiftly demolished.[9] He also undertook decorating work in the Salon de l’Hémicycle of the Palais de l’Elysée.[3]
Honours and awards
A Song Silenced, Private collection.
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