Tom Wesselmann: Olympische Spiele (Foot)

Percival Lafer designed 3-seat tufted sofa in mustard yellow leather with Rosewood wood frame, model MP-167, produced by Lafer MP, Brazil, 1960s.

Set of 4 Onassis chairs in Oak by Karl Springer. Updated upholstery in White Boucle. An iconic form by Karl Springer, the Onassis Chairs, originally commission by Jacquelyn Kennedy O...

The Iconic 'Pernilla' bentwood chair and ottoman designed by Bruno Mathsson and produced by DUX, Sweden in the 1960s. It comes with frame of moulded beech stretched with canvas and b...

Pair of Marcel Breuer Cesca Armchairs made in Italy in the 1960s by Knoll Gavina.

A fabulous vintage Boho original show poster. From the 2011 show at the Metropolitan Museum in NYC. Newly framed in a clean white frame. Acquired ...

A rare reproduction of the Coca Cola umbrella girls in a rustic red frame. Festoon art is originally designed in 1918. Frame has some wear but overall in good condition. 27” H x 33...

James Dewoody original art, circa 1980s. "Lexington Avenue at 48th Street" Numbered in graphite, lower left AP 6 Signed Dewoodys work is currently on d...

Filmmaking is a reflection of the culture it arises from, and Bollywood cinema has been forever intertwined with the Indian identity. The posters from the 1970s, especially the 1975 Alakh Niranjan, resonate with a formative period in the evolution of Bollywood, where the socio-political landscape was continuously shaping the narratives portrayed on screen. The film industry began to explore more complex character representations, especially those of women by integrating them as central figures. During this period, Bollywood began to solidify its role as a cultural touchstone that mirrored the aspirations and anxieties of Indian society. The presence of the panther that the actress holds on a leash is not only a stylistic choice; it reflects themes of power, dominance, and the connection between nature and human emotion, frequently explored in the films of that era. In Hinduism (Sanatana Dharma today), Alakh Niranjan is a term commonly used to refer to the Creator. It is also referenced to describe the qualities of both God and the Self, known as the Atman. The word Alakh translates to “that which cannot be perceived or seen,” while Niranjan means “free from blemishes or impurities.” Similar to Ghanaian horror posters that reflect the unique cultural fears and narratives of their society, Bollywood posters...