African Goli Style Tribal Mask Mounted on a Custom Steel Base

A Papua New Guinea hand carved ebony lime spatula covered with continuous swirl designs etched on the open handle and shaft, with some traces of lime stil...

2 African iron Bandaka hoe currency, Mabila and Chamba Peoples, Nigeria and Cameroon. The iron, hammered into the form of a hoe, was used as currency. Mounted they are wonderful pie...

American late 19th century hand carved wood head of a horse, stained black, shown wearing a bridal and bit, with mouth open as if in a full gallop. A very handsome piece of sculpture, likely a fragment from a larger piece, now mounted on a custom iron base. Great decoration for the equestrian or lover of horses. Great for mantel...

A carved standing figure of King Tutankamun wearing the royal headdress topped by the double uraeus. This compelling carving depicts the slender boy king standing with arms crossed h...

Bamana N'tomo mask, Mali, 20th century "Generally surmounted by three to eight horns forming a comb, the N'tomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The mask's discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence." Excerpt from Masques du N'tomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France. The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites. The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask. As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the N'tomo, Korè and Ci wara...

A strongly carved mask, likely Baule Tribe, on custom iron display stand. With fine serene features, scarification on the forehead, delicately carved hair and surmounted by two forwa...

This very flat mask originates from the Atoni people of Timor. For the Timorese people masks portray both male and female ancestors, worn by warriors to scare off enemies or during c...

Bobo Uele Mask in hand-carved wood from the Bwa tribe in northern part of Burkina Faso. Antilope-shaped mask with human-like face. Painted with white and black color. Provenance:...