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Papua New Guinea Talipun, Boiken, Sepik River Region
About the Item
Papua New Guinea: Talipun, Boiken, Sepik River Region
Northern Papua New Guinea, 20th Century
A fine example of the rich cultural heritage of Papua New Guinea is this extraordinary Talipun from the Boiken people of the Sepik River Region. Made in the 20th century, this unique artifact served as tribal ceremonial currency, embodying the spiritual and social significance of traditional exchanges.
Handwoven with meticulous skill, the Talipun features intricate wickerwork adorned with vibrant polychrome designs, reflecting the artistic traditions of its creators. Adorned with multiple cassowary feathers and shell embellishments, it exudes a sense of reverence and ceremonial splendor.
Each element of this talipun carries symbolic meaning, from the feathers representing spiritual connections to the natural world to the shell accents signifying prosperity and abundance. As a cherished artifact of Papua New Guinean culture, it offers a glimpse into the rituals and traditions that have shaped the identity of indigenous communities in the region.
Whether displayed as a captivating piece of tribal art or appreciated for its historical significance, this talipun serves as a testament to the enduring legacy of Papua New Guinea's cultural heritage.
Museum mounted on a wrought iron stand. An exceptional example.
The entire mask measures 19 inches high (21 inches high (feathers)) by 13 inches wide (feathers).
The mask alone measures 11 inches high, 7 inches wide, and 3 inches deep.
Museum mounted on a 4-inch square by 12-inch high stand
- Dimensions:Height: 23 in (58.42 cm)Width: 13 in (33.02 cm)Depth: 4 in (10.16 cm)
- Style:Tribal (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:20th Century
- Condition:Wear consistent with age and use. Minor losses.
- Seller Location:West Palm Beach, FL
- Reference Number:Seller: 6700 / SDHU5T17711stDibs: LU2592323053532
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Origin Papua New Guinea Maprik Dist Area
From the Art Collection of Marian and John Scott, acquired in 1962.
Similar items are in display in the Timothy S. Y. Lam Museum of Anthropology.
Purchased from the amazing private collection of Mark Lissauer who spent his life collecting niche ethnographic pieces.
About Mark Lissauer:
Mark Lissauer spent forty years travelling abroad for months at a time collecting ethnographic artefacts primarily from New Guinea and the islands of the West Pacific, and from Asia and Himalayan countries. Fluent in five languages and having in the course of business travelled to more than forty countries, Mark is well-known to museums and art-collectors around the world for his long career and his interesting and diverse collection of rare ethnographic material.
Mark knows the origin and symbolism of each piece. Through extensive research and more than ninety trips around the globe, Mark familiarised himself with the traditions of the various cultures he visited in order to understand the meaning of each object to its region and tribe. His home has a specialist library and several rooms are filled with tribal carvings, textiles and ethnographica.
He acquired his first tribal piece in 1948 during a business trip to Milne Bay, New Guinea, and has since documented the acquisition of some 35,000 items. Several thousands of these have been sold to important private collections and museums worldwide, including the Rockefeller Museum, the British Museum and the Musée National des Arts d’Afrique et d’Océanie, now incorporated into the Louvre Museum.
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