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Hans Bergström for Ateljé Lyktan Chandelier in Brass and Frosted White Glass
About the Item
Hans Bergström for Ateljé Lyktan, chandelier, variation on model ‘125/12’, brass, glass, Sweden, 1940s/1950s
Designed by renowned Swedish architect and designer Hans Bergström during the 1940s for Ateljé Lyktan, this magnificent chandelier showcases exceptional craftsmanship and meticulous attention to detail. The chandelier features evenly spaced lampshades with twelve in total, arranged in a circle, ensuring a balanced distribution of light throughout the space. A cone-shaped brass socket holds an opaque white glass shade with intricate cutouts. Its polished brass framework displays intricate artistry, with a complex arrangement of tubes suspended from wires that are hung diagonally. From its exquisite material selection to its harmonious composition and expert craftsmanship, this chandelier truly exemplifies the highest standards of excellence.
Hans Bergström (1910-1996), a luminary figure hailing from the realm of Swedish architecture and design, was born on November 4, 1910, in Karlshamn, Sweden. After his completion of secondary school in 1927, Hans embarked on an internship at Ystad Metall, a local craft industry situated near his grandfather's farm. In 1929, he sought further education and enrolled at the esteemed School of Art and Design in Stockholm. Remarkably, even before his graduation from this institution, at the age of twenty, Hans showcased his prowess as a designer for Ystad Metall at the prestigious Stockholm Exhibition in 1930.
In the 1920s, Hans encountered his future wife Verna during the summer holidays in his native town of Karlshamn. In 1934, the couple jointly established the company ateljé Lyktan, a venture that combined their collaborative efforts in luminaire design and various artistic pursuits. Bergström undertook various commissions spanning a wide range of architectural environments, including churches, private residences, and public buildings. It was from this point forward that Bergström spearheaded a revolution in Swedish luminaire manufacturing, fundamentally transforming the perception and application of electric lighting in the coming decades.
During the advent of the 1950s, the emergence of plastic as a novel material in modern lighting captured Hans' attention. As the United States gradually introduced plastic as a material of significance, Bergström encountered a method involving the application of sprayed plastic onto a rotating wire frame, facilitated by a spray gun. Interestingly, this technique bore certain resemblances to the later approach employed by Achille & Pier Giacomo Castiglioni in the creation of their Viscontea Lamp (1960), reminiscent of a cocoon, designed for Flos. Recognizing the vast potential offered by this new technology, he successfully managed to get a patent for the production.
For a span of three decades, Bergström held the position of creative director at ateljé Lyktan and served as the sole designer of the company until the early 1960s. A significant portion of his designs were unique pieces, numbered but lacking specific names. Through his pioneering work, Bergström emerged as a leading figure in the realm of modern Swedish lighting fixtures. On June 14, 1996, Hans Bergström passed away at the age of 86, leaving behind a remarkable legacy.
- Creator:Ateljé Lyktan (Manufacturer),Hans Bergström (Designer)
- Dimensions:Height: 49.22 in (125 cm)Width: 32.68 in (83 cm)Depth: 32.68 in (83 cm)
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1940s/1950s
- Condition:Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftspeople in our in-house workshop. Special restoration or reupholstery requests can be done. Check ‘About the item’ or ask our design specialists for detailed information on the condition.
- Seller Location:Waalwijk, NL
- Reference Number:Seller: 501146271stDibs: LU933144945142
About the Seller
4.9
Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly examines each piece to determine what, if any, work needs to be done. Whether that means new upholstery or a complete restoration, Morentz's aim is always to honor the designer’s intention while fulfilling the wishes of the client. The team is up to any challenge, from restoring a single piece to its original glory to furnishing a large-scale hotel project.
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