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Art Deco "Palma" Torchiere in Glass & Brushed Aluminum by Walter Von Nessen
$5,975
£4,536.12
€5,188.35
CA$8,347.94
A$9,284.73
CHF 4,848.20
MX$112,985.33
NOK 61,918.90
SEK 58,069.01
DKK 38,722.66
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About the Item
This stunning Art Deco torchiere was realized by the legendary Walter Von Nessen in the United States circa 1940. Executed in polished aluminum (the material for which Von Nessen is most renowned) the torchiere offers a volumetric circular base from which a cylindrical body ascends culminating in a cupped concave aluminum shade with a frosted glass insert gently diffusing the light from within throughout any interior setting. The neck is sheathed in palma shades- an ode to High Style Art Deco- with arched forms and channeled incised surfaces, crowned with a glass disc secured by orbital aluminum rivets. With its clean modernist lines and forward looking aesthetic, this piece is as versatile as it is aesthetically compelling, blending with any style of interior from classic Deco to contemporary. It has been newly rewired to American standards and is in excellent vintage condition.
Von Nessen was born in Germany, where he studied under Bruno Paul at Berlin’s Kunstgewerbeschule. After World War I, he worked for the architect Peter Behrens in Berlin. He left in 1919 for Stockholm, where he designed furniture until emigrating with his wife, Margaretta, to the United States in 1923. In 1927, the couple opened Nessen Studios in Manhattan, designing and selling avante garde, modern architectural lighting.
Along with visionaries of the period like Gilbert Rohde and Donald Deskey, von Nessen created a style that was emblematic of the Machine Age. He produced lamps and home accessories from spun aluminum, with smooth surfaces that evoked the polished gleam of streamlined automobiles and airplanes. Von Nessen’s work is represented in the collections of the Museum of Modern Art and the Cooper Hewitt Smithsonian National Design Museum, among other institutions.
American, circa 1940
Dimensions:
height: 68.5" x diameter: 19"
- Dimensions:Height: 68.5 in (173.99 cm)Diameter: 19 in (48.26 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1940
- Condition:Rewired.
- Seller Location:New York, NY
- Reference Number:1stDibs: LU793431348422
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Why are there so many antiques in Argentina.
In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place.
1st World War took place between 1914 and 1918
2nd World War took place between 1939 and 1945
The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done.
Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them.
In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life.
Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war.
The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street.
With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace.
It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”.
Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies.
In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America.
During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture.
At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site).
In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca.
The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil.
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