Applique Francese o Italiana in gesso possibile Art Decò - Stile Serge Roche

Singola applique attribuita a Bruno Gatta per Stilnovo. Una con vernice mancante come da foto Sei disponibili Buone condizioni Grazie

Single Art Deco Reticello Barovier or venini wall light. Good condition. Thanks

Ciotola in rame smaltato. Produzione Studio Cellini Pesaro. Difetti come da foto Grazie

Ceramica bianca di Michele Fazzari 1973 Firma incussa Difetti come da foto Grazie

Large Plaster shell with a wonderful patina, can be a wall decor or a sconce as there is a provision for wiring.

A single French Art Deco wall sconce by French Artist “GENET et MICHON” in great vintage condition. Clear frosted molded glass with deep flower motif details held by frameless bracke...

Pair of murano glass lamps shaped and worked with art deco motifs.

Style: Art Deco Material: iron and wood Country: France We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. "Attributed Gilbert Poillerat" There have been many important French designers associated with Art Deco and through the 1930’s, ’40’s and beyond who worked in wrought iron. One usually thinks of Edgar Brandt, Raymond Subes, and Paul Kiss. For quite a while, when Art Deco was enjoying its first flush of recognition in the 1970’s, Gilbert Poillerat remained relatively unknown. This would soon change as the natural progression of design exploration began to move into the 1930’s and beyond, and Poillerat would emerge as one of the most original and important designers of his time. Gilbert Poillerat was born in 1902 in a small town in France that, oddly, had three names – Mer, Loir et Cher. Like many other furniture designers, he attended the famed École Boulle, where he trained as a metal chiseler and engraver, graduating in 1921. Following his graduation, he worked with arguably the best and most influential wrought-iron master – Edgar Brandt. He worked for Brandt for over seven years in both design and production. There can be no doubt that this time was hugely important, not only in furthering his training and perfecting his technique, but also exposing him to the new ideas that had blossomed forth during the Art Deco movement, when wrought-iron escaped the constraints of tradition that had kept it static for so long. In 1927, Poillerat left Brandt, and began working for Baudet, Donon and Roussel, a firm specializing in construction frameworks. He was placed in charge of their decorative iron-work division, which produced tables...