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Stilnovo Style Diablo Brass Black Midcentury Italian Wall Light Sconces, 1950

$1,450List Priceper set

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Large 16-Arm Sputnik Brass Black, Stilnovo Style Italian Midcentury Style
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Large 16-arm Sputnik brass black, Stilnovo style Italian midcentury, 1950-1960. Lovely patina to the brass. Large Sputnik Italian chandelier. Rewired for US. Measures: Height 54 in...
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Perforated Jacques Biny Sconces Black, Mid-Century, France, 1950s
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Perforated Jacques Biny sconces black, Mid-Century, France, 1950s. Lovely black small-scale Biny sconces. Measures: Diameter 14.5 cm x 5 cm. Same era as: Charlotte Perriand, Jean ...
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Vintage 1950s French Mid-Century Modern Wall Lights and Sconces

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Italian Brass Flower Sconce Chandelier
Located in New York, NY
Beautiful brass flower sconce or chandlier. Could be amazing in a kids room or above a sideboard or above a table, possibilities are endless. P...
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Late 20th Century Italian Mid-Century Modern Chandeliers and Pendants

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Pier Luigi Colli Oak Buffet Mirror Sideboard, Midcentury, Italy, 1940s-1950s
By Pier Luigi Colli
Located in New York, NY
Pier luigi Colli oak sideboard, Mid-Century Modern, Italy, 1950s Beautiful oak sideboard. The oak has lovely patina throughout the piece. It is a large-scale sideboard with four doors and architectural details throughout. Amazing oak grain visible throughout the piece. Smoked glass mirrors cover the front doors. The piece is in original vintage condition. Measures: 19 inches deep 93 inches wide 33 inches high Hays Company/Pier Luigi Colli The firm was founded in Turin in 1850, as a laboratory that embroidered for the upholstery of armchairs and sofas. The manufactory collaborated with the Martinotti and C.ia furniture manufacturer, Giuseppe and then Luigi Martinotti, who since 1831 produced luxury furniture in style and from the end of the century in the most up-to-date liberty style. At the death of Federico Martinotti, the last male descendant of the family, in the twenties, the widow gave way to Teresa and Maria Colli and the two companies reunited, assuming the name "Colli da 1831" (with the date they referred To the foundation of the firm Martinotti). Then came Pier Luigi Colli (1895-1968), younger brother of the two holders who had attended the courses of the École des arts décoratifs. Pier Luigi Colli, thanks to his close relationship with Paris, imported Lalique glasses and Jean Perzel decor lamps in Turin. The company took care of the real train setup, built by Fiat Ferroviaria and the technical office, led by Pier Luigi Colli, designed and produced the chairs of the Magna University of Turin and the furniture of the Turin seat of the Bank Italy and the Prefecture. In addition to the furniture, the company produced embroidery for coverings and curtains, carpets, lamps with Seguso glasses, door locks and door handles. The company also carried out works designed by external architects: Gio Ponti (partition walls and windows in the Turin headquarters of Vembi), Giovanni Gariboldi (furnishings for the Richard Ginori showroom in Rome), Carlo Mollino (railing of the RAI auditorium and window frames Of the Royal Theater), Domenico Morelli (furniture of the Rai skyscraper); Gabetti and Isola (neoliberty furniture on the stock exchange) Aldo Morbelli (furniture of Fasano jewelery in Via Roma...
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Andre Arbus Style Sun Glass Bronze Tripod Table Deco, Midcentury, France, 1950
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Andre Arbus style etched sun glass bronze tripod table Deco, midcentury, 1950, France This is a beautiful and rare etched glass tripod table. Would have been used as a center table. ...
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Vintage 1950s German Mid-Century Modern Center Tables

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Gabriella Crespi Signed Brass Chalices Cups 1970 Midcentury Italian
Located in New York, NY
Gabriella Crespi signed brass chalices 1970 midcentury Italian Dimensions: 3.5 in diameter, 7 in height, base 3 in. About Gabriella Crespi (Designer) Bronze discs that open up like clamshells for storage and fold back in to become side tables. Sleek cubes barely suspended off the ground that transform into full-size dining tables. Clean-lined boxes that contain multilevel shelving. Looking at the work of Italian designer Gabriella Crespi, born in 1922 and still producing furniture in her Milan studio, it’s hard to believe that many of these highly functional pieces — modernist Rubik’s Cubes of materials, colors and ergonomics — were created decades ago. Among her best-known creations, the bronze Ellisse table, 1976, and her bronze-and-lacquer Yang-Yin bar, 1979, encapsulate a designer who had a strong dualism in her vision, mixing humble and precious materials, for instance, or creating geometric shapes that were softened by sensual surfaces. Crespi began studying architecture in 1944 at the Politecnico, in Milan, where she was among just a handful of women, and became profoundly influenced by the work of Le Corbusier and Frank Lloyd Wright. After getting married and having children, she launched her own collections, from jewelry to furniture, and soon gained a loyal following, with design houses such as Maison Dior snapping pieces up for their own lines. She began work on her most iconic collection, “Plurimi,” in the late 1960s, and the series — including her Dama table...
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