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Brutalist Mid-Century Modern Table Lamp Bernard Rooke, United Kingdom, 1970's
About the Item
This brutalist mid-century modern stoneware table lamp with matte cream white and terracotta-colored glaze and relief decoration, was crafted by the renowned artist Bernard Rooke, born in 1938.
It was made in Rooke's own studio in Swilland, Suffolk, England, during the 1970s. This table lamp exemplifies his distinctive brutalist style and a profound connection to organic aesthetics.
- Creator:Bernard Rooke (Artist)
- Dimensions:Height: 15.75 in (40 cm)Width: 7.88 in (20 cm)Depth: 3.94 in (10 cm)
- Power Source:Plug-in
- Voltage:220-240v
- Lampshade:Not Included
- Style:Brutalist (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Unknown
- Condition:Wear consistent with age and use.
- Seller Location:Grythyttan, SE
- Reference Number:1stDibs: LU8757236251402
About the Seller
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- ShippingRetrieving quote...Shipping from: Grythyttan, Sweden
- Return Policy
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Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway.
Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity.
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In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living.
In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill.
By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income.
Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking.
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