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Post Modern, Sculptural Vegetable Table Lamp. Exterior/Interior. Made in Italy
About the Item
The Artichoke Fossil lamp, created by artist Jenna Basso Pietrobon, is a unique, handcrafted piece. Each lamp is meticulously built by hand and features impressions made using real vegetables, with the artichoke taking center stage.
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Other Artichoke Fossil Lamps can be made upon request. Each will be unique. In addition, lamps made with a range of different vegetables are available.
There are Artichoke Fossil Plates which can be hang on the wall.
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This work is crafted in Nove di Bassano, a town in Veneto, Italy, renowned for its ceramic tradition spanning generations. My grandfather, a ceramicist born in this very town, immigrated to Canada in the 1950s. Returning to Nove di Bassano allowed me to reconnect with my roots and create this artwork in the place where my family's legacy began.
The artichoke itself carries rich layers of meaning, both historically and symbolically. In ancient times, the artichoke was revered as a symbol of resilience, transformation, and health. Originating from the Mediterranean, it has been cultivated for centuries and was prized in Roman and Greek cultures not only for its culinary uses but also for its medicinal properties. The artichoke is celebrated for its benefits to the body—it is rich in antioxidants, supports liver health, and aids digestion. These qualities make it a powerful metaphor for nourishment and renewal.
In Italian history, the artichoke holds a special place as a beloved ingredient in traditional cuisine and a symbol of regional pride. Artichokes are featured in countless Italian recipes, from Roman-style *carciofi alla romana* to Venetian *carciofi fritti*. Its cultural significance extends beyond the plate, representing the ingenuity of Italian agricultural practices and the enduring connection between the land and the people.
The lamp is part of a larger project, *Sow, Sew, and So*, which draws inspiration from the Italian Futurists' perspectives on food, Vandana Shiva's advocacy for sustainable agriculture, and my own experiences with chronic illness. Struggling with heavy metal toxicity heightened my awareness of the intersections between the food and pharmaceutical industries. It also deepened my commitment to promoting better agricultural practices and challenging corporate control in these critical areas.
The central theme of *Sow, Sew, and So* revolves around the fossilization of vegetables. By imprinting vegetables into clay, I create metaphorical fossils—a lasting reminder of the importance of preserving biodiversity and respecting nature's cycles. This work invites reflection on themes of time, transformation, and resilience.
By choosing the artichoke as a central motif, I honor its historical and cultural significance, its vital role in supporting human health, and its connection to the land of my ancestors. A portion of the proceeds from this project supports seed banks worldwide, contributing to the preservation of our planet’s agricultural heritage.
- Creator:Jenna Basso Pietrobon (Artist)
- Dimensions:Height: 39.38 in (100 cm)Diameter: 11.82 in (30 cm)
- Power Source:Plug-in
- Voltage:220-240v
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2024
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:New York, NY
- Reference Number:1stDibs: LU9803243089792
Jenna Basso Pietrobon
Born in 1986, Jenna Basso Pietrobon is an artist who fearlessly explores society through her personal experiences. She received her Masters in Fine Arts at Columbia University in 2017. Her work offers a raw critique of political, economic, and social systems, using a blend of painting, sculpture, photography, architecture, design, psychology, performance, and activism. Break the Mold: Within the world of ceramics, plaster molds are used to make duplicative objects; the molds are vessels which facilitate mass-production and mass-consumption. Her artistic practice turns a critical eye toward this type of rote production, and asks how we can instead turn the molds normally used to make repetitive identical pieces into vehicles for unique, one-of-a-kind pieces. Basso Pietrobon explains further, "In the 1950s, my grandparents left Italy for Canada, where my grandfather used his knowledge of ceramics to make lamps. Following his footsteps back to Nove, Italy almost 70 years later, I have returned to my grandfather’s town to likewise produce my own clay forms. Part of the proceeds of the sales will go towards the artisans in the town to help revitalize the craft of ceramics."
1) We can offer custom sizes
2) Custom glaze colors that are matte or glossy
3) Custom lampshade designs are also available
4) With lampshade or without lampshade
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