Nightstand Art Decò Radica di Noce by Paolo Buffa for Permanente Mobili Cantù

Elegant Venetian night stand from the 1930s produced by Gaetano Borsani and attributed to the young Osvaldo Borsani, with shaped top and rounded shaped, made of veneered walnut. Golden brass opening handle. Revised and wax polished. The commode of this nightstands is published with code FP12a. About Gaetano e Osvaldo Borsani. Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956. Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designers such as: Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fausto Melotti, Andrea Cascella...

Very stylish Mid-Century Modern nightstand by Permanente Mobili, Paolo Buffa designer atributed, in walnut and veneer walnut, mahogany veneer interior. Wax polished About the Desi...

Italian by Gaetano Borsani, 1920s Art Deco nightstand veneered burl walnut with golden brass handle and foot. We have the pair of bedside tables, one right and one left with its dres...

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Neoclassical bedside table late 18th century Lombardy. The cabinet is veneered in rosewood, maple, boxwood, and other light-colored woods for inlays; both the front in which the door is housed and the sides are made with a lowered central panel in rosewood, with an octagonal reserve in the center enclosed by an inlaid molded frame; the reserves on a maple background feature architectural inlay with whimsy, temples, statues, and figures. The panels are set in double frames with brass-plated cornices and rosewood veneer arranged head-on and herringbone. An inlaid frame in the base borders the four truncated pyramid feet, and another supports the top in which an alps green marble top is embedded. Lacks and restorations, walnut interior. The cabinet is close to the production of Giovanni Maffezzoli...

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