Pacific Islands Arms, Armor and Weapons

A Tonga Pakipaki war club, Polynesia, 18th century An exceptional ironwood war club originating from Tonga, Polynesia. 18th century and hand carved with complex geometric patterns running the length of the shaft. 4 human and 1 botanical glyphs and a extra carving, see details in picture 2 The Tongan war club...

Vintage Pal Kepenyes bronze/brass necklace, 20th century. This Hungarian born artist worked in Mexico for decades, known for free-form sculptural jewelry...

MAKER: Unknown COUNTRY: Unknown, could be Austria PRODUCED: probably sometime between 1920-1960 EYES: Black, Glass MATERIAL: Animal fur, probably goat. SIZE: Height: 20 cm, Leng...

A polished hardstone disc. Provenance unknown but probably a early 20th century Hawaiin Ulu Maika stoen. Ulu Maika is a ancient game simular to bowling played by the indigineaous Haw...

A mud cloth (Bogolanfini), Mali, Bamana People mid-20th century. Hand woven 'discharge dyed' cotton Approximately 71 x 52 in. (180cm. x 132cm.) A dazzling geometric pattern...

Tapa cloth made from mulberry fiber with natural pigments, Fiji, mid-20th century.

Dhokra art old ethnic tribal brass traditional ankle bracelet from India, repurposed as ashtrays ,catchall, or vide poche. Handcrafted of a hollow band of heavy brass decorated with chevron repoussé banding and lost wax granulation. The brass inner plate was later added to use the bracelet as a small ashtray. The closure was a push pin mechanism that was closed. India, circa 1920s. Measure: 7"5 D x 2" H. "Dhokra is an ancient folk art tradition prevalent in India in the eastern states of West Bengal, Odisha, Jharkhand and Chhattisgarh. Dhokra craft objects are made through the process of non-ferrous metal casting using the lost-wax casting technique, which is one of the earliest and most advanced methods of metal casting known to human civilization. Its roots can be traced back 4500 years to the ancient city of Mohenjodaro in the Indus Valley Civilization. The name Dokra or Dhokra was used to indicate a group of craftsmen of nomadic type from the Dhokra Damar tribe, scattered over the regions of Bengal, Orisa and Madhya Pradash, whose wares were identified by their beautifully shaped and decorated metal products. The enchanting Dhokra art objects have motifs inspired by indigenous folk...

A beautiful rare Antique Qing Dynasty Chinese Ethnic Minority silver Coral turquoise necklace from Yunnan. A superb chain necklace with added Taoist charms with turquoise and fine r...

A large Akha Tribe woven silver bracelet with spiral design. This Tribal bracelet encompasses tradition Hill tribe silversmithing techniques with each silve...

Antique Greek Pair Silk/Metal Thread Embroideries, 18th Century Additional Information: Dimensions: 0'11" L x 0'6" W Origin: Greece Period: 18th Cen...

Antique Ethnic Artifact Sepik River Cassowary Bone from Papua New Guinea For many groups in Papua New Guinea, bone was an important medium for making tools of all types. This artifact is made from leg bone of a cassowary, a large, flightless, and extremely dangerous, bird. Cassowaries also play an important role in the mythology of groups in the Sepik River area. Though no longer used these bone artifacts are still used ceremonially. They often play important roles in male initiation and other rituals. They are also worn as personal adornment by tucking them into a band of braided fibers worn around the upper arm. Antique Ethnic Bone Cassowary Artifact with minimal carving and incised design confined to the joint end. A small hole has been drilled through from both sides of the top and presumably for the threading of a cord. The bone has been partially divided near the top and to form two prongs that project down the back of the dagger possibly allowing the user to wear is tuck into a waist band or belt. Origin Papua New Guinea Maprik Dist Area From the Art Collection of Marian and John Scott, acquired in 1962. Similar items are in display in the Timothy S. Y. Lam Museum of Anthropology. Purchased from the amazing private collection of Mark Lissauer who spent his life collecting niche ethnographic pieces. About Mark Lissauer: Mark Lissauer spent forty years travelling abroad for months at a time collecting ethnographic artefacts primarily from New Guinea and the islands of the West Pacific, and from Asia and Himalayan countries. Fluent in five languages and having in the course of business travelled to more than forty countries, Mark is well-known to museums and art-collectors around the world for his long career and his interesting and diverse collection of rare ethnographic material. Mark knows the origin and symbolism of each piece. Through extensive research and more than ninety trips around the globe, Mark familiarised himself with the traditions of the various cultures he visited in order to understand the meaning of each object to its region and tribe. His home has a specialist library and several rooms are filled with tribal carvings, textiles and ethnographica. He acquired his first tribal piece in 1948 during a business trip to Milne Bay, New Guinea, and has since documented the acquisition of some 35,000 items. Several thousands of these have been sold to important private collections and museums worldwide, including the Rockefeller Museum, the British Museum and the Musée National des Arts d’Afrique et d’Océanie, now incorporated into the Louvre Museum. Estimator certificate of authenticity by Wayne Heathcote Tribal Art Dealer and Expert. Heathcote has a flash gallery in Brussels, where much of the tribal art business is centred, and is an expert at Sotheby's tribal art sale...

A monumental Australian aboriginal throwing club, crafted from a very hard wood and it dates to the early 20th century. Incised longitudinal fluted design with a pitch coated handle. Condition: Very good condition. Display base not included. Dimensions: 26.5 inches in length. Lifetime guarantee of authenticity: All of our works of art come with our lifetime authenticity guarantee. Red base not included. History: The throwing stick...