1 Volume. C. Wilkinson, Nelson.

1 Volume. John Skelton, Charles I. Bound in full red morocco. Cover and raised band spine are ornately gilt-tooled. Top edge is gilt. Marbled endpapers. Color portrait frontispiece a...

1 Volume. Matthew Arnold, Essays. The Royal Library of Belle Lettres Series. Bound in full red morocco with green morocco borders and ornate gilt-tooling on the covers. Gilt-tooling ...

1 Volume. Emil Ludwig, Napoleon. Bound by Bayntun in full red morocco with an oval portrait of Napoleon on the front cover. Ornate gilt-tooling on the covers and raised band spine. A...

1 Volume. Anon. The Holy Bible. Containing The Old & New Testaments. Bound in full brown morocco by Zaehnsdorf, all edges gilt, raised bands. Published: Oxford: The University Press,...

"Richard Meier, Architect, Vol. 4: 2000-2004," Soft cover 1st publication by Rizzoli Publishing; 432 pages Book contains no markings on any sort on its pages. No loose pages. Bin...

More Is More, the exquisite second volume about Tony Duquette, delves into the creative process and personal life of this great American designer renowned for his fantastical artwork...

This is a brand new (apart from volume 1/2 which is in a mylar cover for protection there is a 1cm tear in the front top left hand corner) still in cellophane complete 18 volume set (published as 17 because 1 and 2 form the first volume). Originally published by Charles Moreau between 1937 and 1960 in portfolio form, these reprints from 2005 have been published as oblong quarto books, this is an important work which traces the trends and fashions of The Salon des Artistes Decorateurs which is basically the history of French furniture in the 20th century. Most of the legendary names are featured, including Ruhlmann, Jean Dunand, Maurice Dufrene, Jacques Adnet, Dupre´-Lafon, Jean Royere, Jules Leleu, Maxime Old, Eugene Printz, Andre Arbus and Florence Knoll. 792 full pages black and white plates...

"The Cartier of our time." —Christies. "Exquisitely refined creations. Rosenthal made jewellery modern but infused it with the timelessness of perfection." —Telegraph. "The Faberge´ of our time." —Diane von Furstenberg. Volume I showcases a selection of the jewels made since the shop's founding in 1978 up to "The Jewels of JAR - Paris" exhibition, held at Somerset House in London (November 2002 - January 2003.) Volume II presents a selection of works created between 2002 and up to JAR's exhibition at the Metropolitan Museum of Art in 2014. About JAR Since opening JAR in 1978, with the help of his Swiss friend Pierre Jeannet, Joel Arthur Rosenthal, has become one of the world's most sought after jewellery designers. A native New Yorker, Rosenthal moved to Paris after graduating from Harvard and has lived in the city for most of his adult life. He experimented in scriptwriting and then needlepoint, opening a shop where he experimented with unusually coloured yarns. It's clientele included designers from Herme`s and Valentino. Rosenthal was one day asked if he could design a mount for a gemstone, setting his career in a new direction. His signature includes setting gems in pave arrangements, so finely wrought as to be virtually invisible. Rosenthal uses...